Counter Light, Tanaka Ryōhei

Artwork Overview

Tanaka Ryōhei, Counter Light
Tanaka Ryōhei, Counter Light
Tanaka Ryōhei
Counter Light
1985, Showa period (1926–1989)
Tanaka Ryōhei, artist
1933–1999
Counter Light, 1985, Showa period (1926–1989)
Where object was made: Japan
Material/technique: etching
Dimensions:
Image Dimensions Height/Width (Height x Width): 340 x 262 mm
Sheet/Paper Dimensions (Height x Width): 442 x 357 mm
Image Dimensions Height/Width (Height x Width): 13 3/8 x 10 5/16 in
Sheet/Paper Dimensions (Height x Width): 17 3/8 x 14 1/16 in
Mat Dimensions (Height x Width): 25 x 20 in
Credit line: Gift of Hal M. Davison, Class of 1949
Accession number: 1998.0809
Not on display
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Exhibition Label:
"Selections for the Summer," Jun-2006, Mary Dusenbury
Nostalgia and a Narrow Road to the Deep Interior: Tanaka Ryōhei

Tanaka Ryōhei’s work focuses on Japan’s vanishing rural architecture and scenery. Using the Western printing techniques of copperplate etching and aquatint and Western notions of perspective, Tanaka’s images bring a modern Japanese man’s eye to a rural landscape that is as remote from him and his contemporaries as it is from his many Western admirers. His lovely, meticulously rendered images of thatched farmhouses and village fields evoke nostalgia and even a brief yearning for what Japanese and Westerners alike can imagine as a simple and beautiful past. Tanaka’s images are devoid of people and of any evidence of contemporary life.

A second recurring theme in Tanaka’s work is that of a narrow road always curving before one can see what lies ahead. It reminds the viewer of the 17th-century poet Bashō’s famous travel diary, Oku no hosomichi, or Narrow Road to the Deep Interior, which can be taken as a road leading to the remote north of Japan (where the poet was traveling) or to an interior of the self.

What lies around the curve of the road in our lives, and what part does memory play in our life journeys?