Monday, May 1, 1989 – Page 9, Alexandra Bell

Artwork Overview

born 1983
Monday, May 1, 1989 – Page 9, 2019
Portfolio/Series title: No Humans Involved: After Sylvia Wynter
Where object was made: United States
Material/technique: screen print; photolithograph
Dimensions:
Image Dimensions Height/Width (Height x Width): 350 x 271 mm
Image Dimensions Height/Width (Height x Width): 13 3/4 x 10 11/16 in
Sheet/Paper Dimensions (Height x Width): 573 x 432 mm
Sheet/Paper Dimensions (Height x Width): 22 9/16 x 17 in
Frame Dimensions (Height x Width x Depth): 23 x 17 3/4 in
Credit line: Museum purchase: Helen Foresman Spencer Art Acquisition Fund
Accession number: 2020.0002.20
Not on display

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Images

Label texts

Brosseau Center for Learning: Life, Liberty, and the Pursuit of Access

These pieces are from the print series No Humans Involved: After Sylvia Wynter. Sylvia Wynter wrote an open letter to the judicial system of Los Angeles protesting the practice of designating cases involving poor Black youth as NHI—No Humans Involved. Alexandra Bell’s artistic response uses layered techniques to expose the racism at work in law and media. These prints make plain the deep-seated power structures at work in the denial of access to justice.

Exhibitions

Spencer Museum of Art Interns 2021–2022, curator
2022