,

Artist Overview

Artist name:

1780–1850
Place of Birth: Edo (present-day Tokyo), Japan

Works of Art: 48

reproduction of Moku: Rochishin (Wood: Lu Zhishen), 1890s, Meiji period (1868–1912)

Totoya Hokkei (1780–1850), reproduction of Moku: Rochishin (Wood: Lu Zhishen)
Totoya Hokkei (1780–1850)
1890s, Meiji period (1868–1912)

two fans and a bowl of Adonis flowers, early or mid 1830s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), two fans and a bowl of Adonis flowers
Totoya Hokkei (1780–1850)
early or mid 1830s, Edo period (1600–1868)

street dancers, 1811, Edo period (1600–1868)

Totoya Hokkei (1780–1850), street dancers
Totoya Hokkei (1780–1850)
1811, Edo period (1600–1868)

Ebisu, circa mid 1810s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Ebisu
Totoya Hokkei (1780–1850)
circa mid 1810s, Edo period (1600–1868)
Totoya Hokkei (1780–1850), painting of the Taoist Immortal Huang Zhuping and sculpture of a goat
Totoya Hokkei (1780–1850)
1823, Edo period (1600–1868)

Do (Earth), 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Do (Earth)
Totoya Hokkei (1780–1850)
1820s, Edo period (1600–1868)

courtesan, client, and entertainer, 1811, Edo period (1600–1868)

Totoya Hokkei (1780–1850), courtesan, client, and entertainer
Totoya Hokkei (1780–1850)
1811, Edo period (1600–1868)

Hagoromo (The Heavenly Cloak), mid-late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Hagoromo (The Heavenly Cloak)
Totoya Hokkei (1780–1850)
mid-late 1820s, Edo period (1600–1868)

Ibori yoshi (A Good Day to Dig a Well), early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Ibori yoshi (A Good Day to Dig a Well)
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)
Totoya Hokkei (1780–1850), Hikizome yoshi (A Good Day to Start Playing the Samisen)
Totoya Hokkei (1780–1850)
1820s, Edo period (1600–1868)

King Raryō, circa early 1830s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), King Raryō
Totoya Hokkei (1780–1850)
circa early 1830s, Edo period (1600–1868)

Uoichi (fish market), 1831, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Uoichi (fish market)
Totoya Hokkei (1780–1850)
1831, Edo period (1600–1868)

Uyamai (Respect), 1831, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Uyamai (Respect)
Totoya Hokkei (1780–1850)
1831, Edo period (1600–1868)

Hotei, circa mid 1810s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Hotei
Totoya Hokkei (1780–1850)
circa mid 1810s, Edo period (1600–1868)

still life, 1813, Edo period (1600–1868)

Totoya Hokkei (1780–1850), still life
Totoya Hokkei (1780–1850)
1813, Edo period (1600–1868)
Totoya Hokkei (1780–1850), porcelain bowl and primroses; plums from Bungo province
Totoya Hokkei (1780–1850)
1820s, Edo period (1600–1868)

Adonis flowers and three fans, 1839, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Adonis flowers and three fans
Totoya Hokkei (1780–1850)
1839, Edo period (1600–1868)

Yamanba (The Mountain Woman), circa late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Yamanba (The Mountain Woman)
Totoya Hokkei (1780–1850)
circa late 1820s, Edo period (1600–1868)

The Dragon King bows to a youth on a sea bream, 1820, Edo period (1600–1868)

Totoya Hokkei (1780–1850), The Dragon King bows to a youth on a sea bream
Totoya Hokkei (1780–1850)
1820, Edo period (1600–1868)

spear, pagoda and sash; emblems of the god Bishamon, circa mid 1810s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), spear, pagoda and sash; emblems of the god Bishamon
Totoya Hokkei (1780–1850)
circa mid 1810s, Edo period (1600–1868)

a merchant inscribes an account book, early or mid 1830s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), a merchant inscribes an account book
Totoya Hokkei (1780–1850)
early or mid 1830s, Edo period (1600–1868)

Takasago, mid-late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Takasago
Totoya Hokkei (1780–1850)
mid-late 1820s, Edo period (1600–1868)

Hakuba no sechie (A White Horse for the Emperor), early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Hakuba no sechie (A White Horse for the Emperor)
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)

Fujiwara no Ietaka, mid 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Fujiwara no Ietaka
Totoya Hokkei (1780–1850)
mid 1820s, Edo period (1600–1868)

handscroll, spectacles, and plum blossom, circa early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), handscroll, spectacles, and plum blossom
Totoya Hokkei (1780–1850)
circa early 1820s, Edo period (1600–1868)

Yuya, 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Yuya
Totoya Hokkei (1780–1850)
1820s, Edo period (1600–1868)

Ushiwaka reading a scroll of military strategy, 1830, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Ushiwaka reading a scroll of military strategy
Totoya Hokkei (1780–1850)
1830, Edo period (1600–1868)

box of fan paintings; winter plum, early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), box of fan paintings; winter plum
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)

Umanorizome yoshi (A Good Day to Start Riding Horses), early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Umanorizome yoshi (A Good Day to Start Riding Horses)
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)

Ubenahi (Agreement), 1831, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Ubenahi (Agreement)
Totoya Hokkei (1780–1850)
1831, Edo period (1600–1868)

fish-shaped roof tile, circa early 1810s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), fish-shaped roof tile
Totoya Hokkei (1780–1850)
circa early 1810s, Edo period (1600–1868)

well and plum tree, early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), well and plum tree
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)

dancer with baton, circa late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), dancer with baton
Totoya Hokkei (1780–1850)
circa late 1820s, Edo period (1600–1868)

painting and folding album, 1836, Edo period (1600–1868)

Totoya Hokkei (1780–1850), painting and folding album
Totoya Hokkei (1780–1850)
1836, Edo period (1600–1868)

Yamanba (The Mountain Woman), mid-late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Yamanba (The Mountain Woman)
Totoya Hokkei (1780–1850)
mid-late 1820s, Edo period (1600–1868)

woman with kettle and rice crackers, 1830s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), woman with kettle and rice crackers
Totoya Hokkei (1780–1850)
1830s, Edo period (1600–1868)

poetess Ono no Komachi, early 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), poetess Ono no Komachi
Totoya Hokkei (1780–1850)
early 1820s, Edo period (1600–1868)

Samisen case covered with blue cloth, circa mid 1810s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Samisen case covered with blue cloth
Totoya Hokkei (1780–1850)
circa mid 1810s, Edo period (1600–1868)

book cart, circa late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), book cart
Totoya Hokkei (1780–1850)
circa late 1820s, Edo period (1600–1868)

Chinese princess seated before a mirror, circa mid 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Chinese princess seated before a mirror
Totoya Hokkei (1780–1850)
circa mid 1820s, Edo period (1600–1868)

Gōmō (Wu Meng); woman washing her face, circa late 1820s, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Gōmō (Wu Meng); woman washing her face
Totoya Hokkei (1780–1850)
circa late 1820s, Edo period (1600–1868)
Totoya Hokkei (1780–1850), Ryūhō hakuju o kiru (Liu Bang kills the white serpent)
Totoya Hokkei (1780–1850)
1832, Edo period (1600–1868)

Qingao riding a carp, circa 1820, Edo period (1600–1868)

Totoya Hokkei (1780–1850), Qingao riding a carp
Totoya Hokkei (1780–1850)
circa 1820, Edo period (1600–1868)

Spring Fuji, 2000

David Bull (born 1951); Totoya Hokkei (1780–1850), Spring Fuji
David Bull (born 1951); Totoya Hokkei (1780–1850)
2000

page from a book, Sore ni (Meanwhile...), 1897, Meiji period (1868–1912)

Totoya Hokkei (1780–1850), page from a book, Sore ni (Meanwhile...)
Totoya Hokkei (1780–1850)
1897, Meiji period (1868–1912)
Totoya Hokkei (1780–1850), clothes rack, robe and smoking chest
Totoya Hokkei (1780–1850)
early 1890s

Ebisu and Daikoku, 1780–1850

David Bull (born 1951); Totoya Hokkei (1780–1850), Ebisu and Daikoku
David Bull (born 1951); Totoya Hokkei (1780–1850)
1780–1850

Exhibitions: 28

Kris Ercums, curator
Rachel Straughn-Navarro, curator
2019–2020
Sherry Fowler, curator
2012