Teaching Gallery: Japanese Prints

Exhibition

Exhibition Overview

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Teaching Gallery: Japanese Prints
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selected Japanese prints for Professor Maki Kaneko’s HA 503 Japanese Prints and Professor Yoonmi Nam’s ART 500 Special Topics in Art: Japanese Wood Block Print

Works of art

Suzuki Harunobu (circa 1725–1770), couple struggle over love letter
Suzuki Harunobu (circa 1725–1770), couple struggle over love letter
Suzuki Harunobu
couple struggle over love letter
late 1800s–early 1900s, Meiji period (1868–1912) or Taisho period (1912–1926)
Utagawa Kunisada (1786–1864), Kanagawa eki; preparatory drawing for a print
Utagawa Kunisada (1786–1864), Kanagawa eki; preparatory drawing for a print
Utagawa Kunisada
Kanagawa eki; preparatory drawing for a print
1800s, Edo period (1600–1868)
Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838), Nakamura Utaemon III in six roles
Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838), Nakamura Utaemon III in six roles
Asayama Ashikuni , Nakamura Utaemon III
Nakamura Utaemon III in six roles
1817, Edo period (1600–1868)
Yashima Gakutei (circa 1786–1868, active 1815–1852), Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger)
Yashima Gakutei (circa 1786–1868, active 1815–1852), Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger)
Yashima Gakutei
Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger)
circa late 1820s, Edo period (1600–1868)
Totoya Hokkei (1780–1850), Ryūhō hakuju o kiru (Liu Bang kills the white serpent)
Totoya Hokkei (1780–1850), Ryūhō hakuju o kiru (Liu Bang kills the white serpent)
Totoya Hokkei
Ryūhō hakuju o kiru (Liu Bang kills the white serpent)
1832, Edo period (1600–1868)
Totoya Hokkei (1780–1850), Do (Earth)
Totoya Hokkei (1780–1850), Do (Earth)
Totoya Hokkei
Do (Earth)
1820s, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), #43 Kuwana Shichi-ri no watashi buna (The Seven-Ri Ferry at Kuwana)
Utagawa Hiroshige (1797–1858), #43 Kuwana Shichi-ri no watashi buna (The Seven-Ri Ferry at Kuwana)
Utagawa Hiroshige
#43 Kuwana Shichi-ri no watashi buna (The Seven-Ri Ferry at Kuwana)
1855–1857, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), #43 Kuwana, Shichiri Watashiguchi (Kuwana, the Landing Spot of the Seven-Ri Ferry)
Utagawa Hiroshige (1797–1858), #43 Kuwana, Shichiri Watashiguchi (Kuwana, the Landing Spot of the Seven-Ri Ferry)
Utagawa Hiroshige
#43 Kuwana, Shichiri Watashiguchi (Kuwana, the Landing Spot of the Seven-Ri Ferry)
1833–1834, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), #72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda)
Utagawa Hiroshige (1797–1858), #72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda)
Utagawa Hiroshige
#72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda)
1858, 8th month, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), Hira no bosetsu (Evening Snow on Mt. Hira)
Utagawa Hiroshige (1797–1858), Hira no bosetsu (Evening Snow on Mt. Hira)
Utagawa Hiroshige
Hira no bosetsu (Evening Snow on Mt. Hira)
circa 1834, Edo period (1600–1868)
Katsushika Hokusai (1760–1849), 深川万年槁下 Fukugawa mannen hashi shita (Fuji from beneath Mannen Bridge at Fukugawa)
Katsushika Hokusai (1760–1849), 深川万年槁下 Fukugawa mannen hashi shita (Fuji from beneath Mannen Bridge at Fukugawa)
Katsushika Hokusai
深川万年槁下 Fukugawa mannen hashi shita (Fuji from beneath Mannen Bridge at Fukugawa)
early 1830s, Edo period (1600–1868)
Okumura Masanobu (1686–1764), large perspective picture, Evening Cool by Ryōgoku [bridge]
Okumura Masanobu (1686–1764), large perspective picture, Evening Cool by Ryōgoku [bridge]
Okumura Masanobu
large perspective picture, Evening Cool by Ryōgoku [bridge]
circa 1740s, Edo period (1600–1868)
Ryūryūkyo Shinsai (1764–1820), bird's eye view of the Sumida River
Ryūryūkyo Shinsai (1764–1820), bird's eye view of the Sumida River
Ryūryūkyo Shinsai
bird's eye view of the Sumida River
circa late 1810s, Edo period (1600–1868)
Keisai Eisen (1790–1848), Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital)
Keisai Eisen (1790–1848), Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital)
Keisai Eisen
Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital)
circa 1820s, Edo period (1600–1868)
Katsushika Hokusai (1760–1849), 御厩川岸より両国橋夕日見 Ommayagashi Yori Ryōgokubashi no Sekiyō o Miru (Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment)
Katsushika Hokusai (1760–1849), 御厩川岸より両国橋夕日見 Ommayagashi Yori Ryōgokubashi no Sekiyō o Miru (Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment)
Katsushika Hokusai
御厩川岸より両国橋夕日見 Ommayagashi Yori Ryōgokubashi no Sekiyō o Miru (Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment)
circa 1830, Edo period (1600–1868)
Utagawa Kunisada (1786–1864), four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama"
Utagawa Kunisada (1786–1864), four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama"
Utagawa Kunisada
four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama"
1858, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Akaguchi [Red Mouth] (5 Shakku, not a good day)
Utagawa Kuniyoshi (1797–1861), Akaguchi [Red Mouth] (5 Shakku, not a good day)
Utagawa Kuniyoshi
Akaguchi [Red Mouth] (5 Shakku, not a good day)
1860, 10th month, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), Gishi yo-uchi (Act Eleven: The Night Attack of the Loyal Samurai)
Utagawa Hiroshige (1797–1858), Gishi yo-uchi (Act Eleven: The Night Attack of the Loyal Samurai)
Utagawa Hiroshige
Gishi yo-uchi (Act Eleven: The Night Attack of the Loyal Samurai)
1843–1847, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)]
Utagawa Kuniyoshi (1797–1861), Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)]
Utagawa Kuniyoshi
Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)]
1840s–1850s, Edo period (1600–1868)
Torii Kiyonaga (1752–1815), Ōgiya uchi Tōji, Satotaku, Ureteke (Courtesans of the Afumaya Teahouse)
Torii Kiyonaga (1752–1815), Ōgiya uchi Tōji, Satotaku, Ureteke (Courtesans of the Afumaya Teahouse)
Torii Kiyonaga
Ōgiya uchi Tōji, Satotaku, Ureteke (Courtesans of the Afumaya Teahouse)
1780s, Edo period (1600–1868)
Suzuki Harunobu (circa 1725–1770), courtesan beneath a window
Suzuki Harunobu (circa 1725–1770), courtesan beneath a window
Suzuki Harunobu
courtesan beneath a window
1725–1770, Edo period (1600–1868)
Kitagawa Utamaro (1754–1806), Courtesan holding hand of bashful young man
Kitagawa Utamaro (1754–1806), Courtesan holding hand of bashful young man
Kitagawa Utamaro
Courtesan holding hand of bashful young man
circa 1801–1803, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861); Hayashiiya Shogoro, Spirit of Sakura Sogoro haunting Hotta Kozuke
Utagawa Kuniyoshi (1797–1861); Hayashiiya Shogoro, Spirit of Sakura Sogoro haunting Hotta Kozuke
Utagawa Kuniyoshi , Hayashiiya Shogoro
Spirit of Sakura Sogoro haunting Hotta Kozuke
circa 1850, Edo period (1600–1868)