Teaching Gallery: Japanese Prints | Spencer Museum of Art

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Teaching Gallery: Japanese Prints

January 17, 2008–February 17, 2008

White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selected Japanese prints for Professor Maki Kaneko’s HA 503 Japanese Prints and Professor Yoonmi Nam’s ART 500 Special Topics in Art: Japanese Wood Block Print

Works of art

couple struggle over love letter, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

couple struggle over love letter, late 1800s–early 1900s, Meiji period (1868–1912) or Taisho period (1912–1926)

Kanagawa eki; preparatory drawing for a print, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Kanagawa eki; preparatory drawing for a print, 1800s, Edo period (1600–1868)

Nakamura Utaemon III in six roles, Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838) — Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838)

Nakamura Utaemon III in six roles, 1817, Edo period (1600–1868)

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), circa late 1820s, Edo period (1600–1868)

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), 1832, Edo period (1600–1868)

Do (Earth), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Do (Earth), 1820s, Edo period (1600–1868)

#43 Kuwana Shichi-ri no watashi buna (The Seven-Ri Ferry at Kuwana), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#43 Kuwana Shichi-ri no watashi buna (The Seven-Ri Ferry at Kuwana), 1855–1857, Edo period (1600–1868)

#43 Kuwana, Shichiri Watashiguchi (Kuwana, the Landing Spot of the Seven-Ri Ferry), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#43 Kuwana, Shichiri Watashiguchi (Kuwana, the Landing Spot of the Seven-Ri Ferry), 1833–1834, Edo period (1600–1868)

#72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda), 1858, 8th month, Edo period (1600–1868)

Hira no bosetsu (Evening Snow on Mt. Hira), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

Hira no bosetsu (Evening Snow on Mt. Hira), circa 1834, Edo period (1600–1868)

深川万年槁下 Fukugawa mannen hashi shita (Fuji from beneath Mannen Bridge at Fukugawa), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

深川万年槁下 Fukugawa mannen hashi shita (Fuji from beneath Mannen Bridge at Fukugawa), early 1830s, Edo period (1600–1868)

large perspective picture, Evening Cool by Ryōgoku [bridge], Okumura Masanobu (1686–1764) — Okumura Masanobu (1686–1764)

large perspective picture, Evening Cool by Ryōgoku [bridge], circa 1740s, Edo period (1600–1868)

bird's eye view of the Sumida River, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

bird's eye view of the Sumida River, circa late 1810s, Edo period (1600–1868)

Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital), Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital), circa 1820s, Edo period (1600–1868)

御厩川岸より両国橋夕日見 Ommayagashi Yori Ryōgokubashi no Sekiyō o Miru (Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

御厩川岸より両国橋夕日見 Ommayagashi Yori Ryōgokubashi no Sekiyō o Miru (Viewing Sunset over Ryōgoku Bridge from the Ommaya Embankment), circa 1830, Edo period (1600–1868)

four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama", Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama", 1858, Edo period (1600–1868)

Akaguchi [Red Mouth] (5 Shakku, not a good day), Utagawa Kuniyoshi (1797–1861) — Utagawa Kuniyoshi (1797–1861)

Akaguchi [Red Mouth] (5 Shakku, not a good day), 1860, 10th month, Edo period (1600–1868)

Gishi yo-uchi (Act Eleven: The Night Attack of the Loyal Samurai), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

Gishi yo-uchi (Act Eleven: The Night Attack of the Loyal Samurai), 1843–1847, Edo period (1600–1868)

Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)], Utagawa Kuniyoshi (1797–1861) — Utagawa Kuniyoshi (1797–1861)

Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)], 1840s–1850s, Edo period (1600–1868)

Ōgiya uchi Tōji, Satotaku, Ureteke (Courtesans of the Afumaya Teahouse), Torii Kiyonaga (1752–1815) — Torii Kiyonaga (1752–1815)

Ōgiya uchi Tōji, Satotaku, Ureteke (Courtesans of the Afumaya Teahouse), 1780s, Edo period (1600–1868)

courtesan beneath a window, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

courtesan beneath a window, 1725–1770, Edo period (1600–1868)

Courtesan holding hand of bashful young man, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

Courtesan holding hand of bashful young man, circa 1801–1803, Edo period (1600–1868)

Spirit of Sakura Sogoro haunting Hotta Kozuke, Utagawa Kuniyoshi (1797–1861); Hayashiiya Shogoro — Utagawa Kuniyoshi (1797–1861); Hayashiiya Shogoro

Spirit of Sakura Sogoro haunting Hotta Kozuke, circa 1850, Edo period (1600–1868)