Surimono: Privately Published Japanese Prints

Exhibition

Exhibition Overview

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Surimono: Privately Published Japanese Prints
Roger Keyes, curator
April 26, 1986–June 15, 1986
Memphis Brooks Museum of Art, Memphis, Tennessee

Surimono prints were often commissioned by poetry groups and designed both by leading ukiyo-e artists and by amateurs, to be given to friends as New Year's greetings and announcements of special events. In delightful essays on sixty prints, Roger Keynes, guest curator, draws upon his extensive familiarity with history and legends, language and literature, customs and culture, to reveal the fascination of a forgotten art. The catalogue of the exhibition includes a complete catalogue of the collection of prints at the Spencer Museum of Art (University of Kansas) with 60 color plates, 186 black and white reproductions, brief entries on 268 images and a comprehensive bibliography.

Surimono, the most elegant woodblock prints ever made, were sent as New Year's greetings in 19th century Japan. These were selected from the Museum's collection of 268 images.

Exhibition images

Works of art

Totoya Hokkei
Ebisu, circa mid 1810s, Edo period (1600–1868)
Utagawa Hiroshige
sparrow on rose branch, late 1830 or early 1840s, Edo period (1600–1868)
Katsushika Hokusai
Daikoku lifting a rice bale, 1825, Edo period (1600–1868)
Hishikawa Sōri
spring landscape, circa 1805, Edo period (1600–1868)
Yanagawa Shigenobu
geisha with iris crown, early 1820s, Edo period (1600–1868)
Suzuki Nanrei
pony dancer, 1813, Edo period (1600–1868)
Katsukawa Shun'ei
long-tailed turtles, late 1810s, Edo period (1600–1868)
Ryūryūkyo Shinsai
Niwatori Muko (The Rooster Bridegroom), 1813, Edo period (1600–1868)
Utagawa Sadakage I
Totoya Hokkei
Ryūryūkyo Shinsai
Kubo Shumman
Kohōgi sōkōmei (Courtesan as the Opportune Rain), circa 1800, Edo period (1600–1868)
Totoya Hokkei
Do (Earth), 1820s, Edo period (1600–1868)
Katsushika Hokusai
Ōiko and Fan Kuai, 1820, Edo period (1600–1868)
Utagawa Kunisada
Ichikawa Danjūrō VII and Segawa Kikunojō V, 1823, Edo period (1600–1868)
Ryūryūkyo Shinsai
poet and plum tree, circa late 1810s, Edo period (1600–1868)
Kubo Shumman
actor Sawamura Tanosuke II as the courtesan Shiratama, circa mid 1810s, Edo period (1600–1868)
Utagawa Kunisada
Toyohisa II
Kikujidō seated by a stream, 1830, 9th month, Edo period (1600–1868)
Kubo Shumman
Ryūryūkyo Shinsai
folded robe and crown, 1818, Edo period (1600–1868)
Utagawa Kuniyoshi
Iwai Hanshirō V seated by a brazier, circa 1825–1835, Edo period (1600–1868)
Utagawa Kunisada
Ichikawa Danjūrō VII and Segawa Kikunojō V, 1823, Edo period (1600–1868)
Utagawa Kuniyoshi
Ichikawa Ebizō V (Danjūrō VII), mid 1830s, Edo period (1600–1868)
Yashima Gakutei
Nō (Ability), circa late 1810s, Edo period (1600–1868)
Yashima Gakutei
Hōjō Tokiyori, circa 1820, Edo period (1600–1868)
Utagawa Kunisada
actor Ichikawa Danjūrō VII as Fuwa Banzaemon, 1827, Edo period (1600–1868)
Katsushika Hokusai
Benkei and Chinese princess, 1820, Edo period (1600–1868)
Utagawa Kunisada
Ichikawa Danjūrō VII as Soga no Gorō, 1821 or 1822, Edo period (1600–1868)
Totoya Hokkei
Qingao riding a carp, circa 1820, Edo period (1600–1868)
Yashima Gakutei
Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), circa late 1820s, Edo period (1600–1868)
Kita Busei; Tatekawa Emba II
badger and rabbit, 1831, Edo period (1600–1868)
Totoya Hokkei
Hotei, circa mid 1810s, Edo period (1600–1868)
Yokoyama Kazan
Minister Hong bows to the heavenly teacher, 1829, Edo period (1600–1868)
Katsushika Hokusai
Microscope, circa 1800–1805, Edo period (1600–1868)
Asayama Ashikuni; Nakamura Utaemon III
Nakamura Utaemon III in six roles, 1817, Edo period (1600–1868)
Utagawa Kunisada
actors Ichikawa Danjūrō VII and Bandō Zenji, 1823, Edo period (1600–1868)
Totoya Hokkei
street dancers, 1811, Edo period (1600–1868)
Totoya Hokkei
still life, 1821?, Edo period (1600–1868)
Totoya Hokkei
still life, 1813, Edo period (1600–1868)
Utagawa Sadakage I
Segawa Kikunojō V as Yukihime, 1832, Edo period (1600–1868)
Katsushika Hokusai
cranes in pine tree, circa 1805, Edo period (1600–1868)
Ryūryūkyo Shinsai
bolts of fabric, circa late 1810s, Edo period (1600–1868)
Katsushika Hokusai
Tomoe Gozen and Xiang Yu, 1820, Edo period (1600–1868)
Totoya Hokkei
courtesan, client, and entertainer, 1811, Edo period (1600–1868)
Katsushika Hokusai
courtesan at window, circa late 1790s, Edo period (1600–1868)
Teisai Hokuba
Yashima Gakutei
Ushiwaka and Sōjōbō, 1820s, Edo period (1600–1868)
Katsushika Hokusai
Kinutagai (The Pounding Block Shell), 1821, Edo period (1600–1868)
Katsushika Hokusai
chrysanthemum display, 1799, Edo period (1600–1868)
Keisai Eisen
Utagawa Kunisada
Ichikawa Danjūrō VII and Bandō Mitsugorō III, 1827, Edo period (1600–1868)
Keisai Eisen
boys chasing a woman with sticks, 1823, Edo period (1600–1868)
Nagayama Kōin
tortoise carrying rock symbolizing Mr. Hōrai, early 1820s, Edo period (1600–1868)
Ryūryūkyo Shinsai
bird's eye view of the Sumida River, circa late 1810s, Edo period (1600–1868)
Keisai Eisen
an ōtsu painting of a rat, 1828, Edo period (1600–1868)
Utagawa Kunisada
Ichikawa Danjūrō VII and Segawa Kikunojō V, 1823, Edo period (1600–1868)
Yokoyama Kazan
Minister Hong bows to the Heavenly Teacher, early 1890s, Edo period (1600–1868)
Utagawa Kunisada
courtesans and attendants under a plum tree, circa 1820s–1830s, Edo period (1600–1868)
Yoshimi Shūri
Kara monogatari (Stories of China), circa late 1810s, Edo period (1600–1868)
Katsushika Hokusai
Kami (Paper), 1823, Edo period (1600–1868)
Utagawa Kunisada
Segawa Kikunojō V drawing sword, circa 1823, Edo period (1600–1868)
Hishikawa Sōri
woman and child, circa 1800–1805, Edo period (1600–1868)
Totoya Hokkei
Yanagawa Shigenobu
puppy with kite and ball, 1826, Edo period (1600–1868)