Surimono Prints from the Collection of the Spencer Museum of Art | Spencer Museum of Art

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Surimono Prints from the Collection of the Spencer Museum of Art

June 4, 1991–July 21, 1991

Riccar Art Museum, Tokyo, Japan

Works of art

Suda no tsutsumi (Cherry Trees on the Embankment of the Sumida River), Kōkintei Banzan (active 1820s) — Kōkintei Banzan (active 1820s)

Suda no tsutsumi (Cherry Trees on the Embankment of the Sumida River), circa late 1820s, Edo period (1600–1868)

badger and rabbit, Kita Busei (1776–1856); Tatekawa Emba II (active early 1800s) — Kita Busei (1776–1856); Tatekawa Emba II (active early 1800s)

badger and rabbit, 1831, Edo period (1600–1868)

brocade pouch and wrapper, Issai Chikara (active 1806) — Issai Chikara (active 1806)

brocade pouch and wrapper, 1806, Edo period (1600–1868)

standing screen, Yabu Chōsui (1814–1867) — Yabu Chōsui (1814–1867)

standing screen, 1861, Edo period (1600–1868)

tea wisk, tea scoop, and miniature plum tree, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

tea wisk, tea scoop, and miniature plum tree, circa early 1820s, Edo period (1600–1868)

fan paintings and camellias, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

fan paintings and camellias, circa early 1820s, Edo period (1600–1868)

boys chasing a woman with sticks, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

boys chasing a woman with sticks, 1823, Edo period (1600–1868)

women preparing ornaments for New Year, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

women preparing ornaments for New Year, mid 1820s, Edo period (1600–1868)

two young women writing first calligraphy of New Year, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

two young women writing first calligraphy of New Year, mid 1820s, Edo period (1600–1868)

Kōsagi and a courtier at Yōrō Waterfall, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

Kōsagi and a courtier at Yōrō Waterfall, mid 1820s, Edo period (1600–1868)

painted screen and New Year's offerings, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

painted screen and New Year's offerings, mid 1820s, Edo period (1600–1868)

girl and boy with printed game board and Pekinese dog, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

girl and boy with printed game board and Pekinese dog, 1826, Edo period (1600–1868)

an ōtsu painting of a rat, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

an ōtsu painting of a rat, 1828, Edo period (1600–1868)

child leading a woman on an ox, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

child leading a woman on an ox, 1829, Edo period (1600–1868)

women sewing and ironing, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

women sewing and ironing, circa late 1820s, Edo period (1600–1868)

Ushiwaka and Sōjōbō, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

Ushiwaka and Sōjōbō, 1829, Edo period (1600–1868)

Benkei and Shizuka, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

Benkei and Shizuka, 1829, Edo period (1600–1868)

Hōjō Tokiyori, Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

Hōjō Tokiyori, circa 1820, Edo period (1600–1868)

Yōkihi sakura (Yang Kuei-fei), Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

Yōkihi sakura (Yang Kuei-fei), early 1820s, Edo period (1600–1868)

woman and boy with votive painting, Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

woman and boy with votive painting, early 1820s, Edo period (1600–1868)

Ushiwaka and Sōjōbō, Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

Ushiwaka and Sōjōbō, 1820s, Edo period (1600–1868)

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), Yashima Gakutei (circa 1786–1868, active 1815–1852) — Yashima Gakutei (circa 1786–1868, active 1815–1852)

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), circa late 1820s, Edo period (1600–1868)

two painted fans, Genjudo — Genjudo

two painted fans, circa 1810s, Edo period (1600–1868)

a gilded wooden model of Daikoku's magic mallet, Matsukawa Hanzan (active circa late 1830s–mid 1870s) — Matsukawa Hanzan (active circa late 1830s–mid 1870s)

a gilded wooden model of Daikoku's magic mallet, circa early 1860s, Edo period (1600–1868)

sparrow on rose branch, Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

sparrow on rose branch, late 1830 or early 1840s, Edo period (1600–1868)

old man presenting jar to court lady, Utagawa Hiroshige II (1826–1869) — Utagawa Hiroshige II (1826–1869)

old man presenting jar to court lady, 1856, Edo period (1600–1868)

courtesan, client, and entertainer, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

courtesan, client, and entertainer, 1811, Edo period (1600–1868)

street dancers, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

street dancers, 1811, Edo period (1600–1868)

still life, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

still life, 1813, Edo period (1600–1868)

Ebisu, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Ebisu, circa mid 1810s, Edo period (1600–1868)

Hotei, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Hotei, circa mid 1810s, Edo period (1600–1868)

Samisen case covered with blue cloth, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Samisen case covered with blue cloth, circa mid 1810s, Edo period (1600–1868)

Qingao riding a carp, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Qingao riding a carp, circa 1820, Edo period (1600–1868)

well and plum tree, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

well and plum tree, early 1820s, Edo period (1600–1868)

Hikizome yoshi (A Good Day to Start Playing the Samisen), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Hikizome yoshi (A Good Day to Start Playing the Samisen), 1820s, Edo period (1600–1868)

Ibori yoshi (A Good Day to Dig a Well), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Ibori yoshi (A Good Day to Dig a Well), early 1820s, Edo period (1600–1868)

Do (Earth), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Do (Earth), 1820s, Edo period (1600–1868)

Gōmō (Wu Meng); woman washing her face, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Gōmō (Wu Meng); woman washing her face, circa late 1820s, Edo period (1600–1868)

Yamanba (The Mountain Woman), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Yamanba (The Mountain Woman), mid-late 1820s, Edo period (1600–1868)

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), 1832, Edo period (1600–1868)

King Raryō, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

King Raryō, circa early 1830s, Edo period (1600–1868)

woman with kettle and rice crackers, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

woman with kettle and rice crackers, 1830s, Edo period (1600–1868)

two fans and a bowl of Adonis flowers, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

two fans and a bowl of Adonis flowers, early or mid 1830s, Edo period (1600–1868)

Adonis flowers and three fans, Totoya Hokkei (1780–1850) — Totoya Hokkei (1780–1850)

Adonis flowers and three fans, 1839, Edo period (1600–1868)

Yoki takimono takite hitori fushitaru (To burn fine incense and sleep alone), Teisai Hokuba (1771–1844) — Teisai Hokuba (1771–1844)

Yoki takimono takite hitori fushitaru (To burn fine incense and sleep alone), circa late 1810s, Edo period (1600–1868)

courtesan at window, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

courtesan at window, circa late 1790s, Edo period (1600–1868)

chrysanthemum display, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

chrysanthemum display, 1799, Edo period (1600–1868)

Microscope, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Microscope, circa 1800–1805, Edo period (1600–1868)

Mariko, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Mariko, 1804, Edo period (1600–1868)

Fujieda, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Fujieda, 1804, Edo period (1600–1868)

Hōraiji shunkei (Spring view of Horai Temple), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Hōraiji shunkei (Spring view of Horai Temple), 1804, Edo period (1600–1868)

Okazaki, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Okazaki, 1804, Edo period (1600–1868)

Miya, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Miya, 1804, Edo period (1600–1868)

cranes in pine tree, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

cranes in pine tree, circa 1805, Edo period (1600–1868)

woman on Nihon bridge, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

woman on Nihon bridge, 1819, Edo period (1600–1868)

Tomoe Gozen and Xiang Yu, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Tomoe Gozen and Xiang Yu, 1820, Edo period (1600–1868)

Benkei and Chinese princess, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Benkei and Chinese princess, 1820, Edo period (1600–1868)

Ōiko and Fan Kuai, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Ōiko and Fan Kuai, 1820, Edo period (1600–1868)

Kinutagai (The Pounding Block Shell), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Kinutagai (The Pounding Block Shell), 1821, Edo period (1600–1868)

Monoaragai (The Turban Shell), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Monoaragai (The Turban Shell), 1821, Edo period (1600–1868)

Sōmayaki (Ceramics from Sōma), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Sōmayaki (Ceramics from Sōma), 1822, Edo period (1600–1868)

Kami (Paper), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Kami (Paper), 1823, Edo period (1600–1868)

Daikoku lifting a rice bale, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Daikoku lifting a rice bale, 1825, Edo period (1600–1868)

Isse ichidai kai (a retirement gathering), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Isse ichidai kai (a retirement gathering), 1830, Edo period (1600–1868)

theater announcer addressing audience, Kakutei — Kakutei

theater announcer addressing audience, 1818, Edo period (1600–1868)

couple by willow trees, Yokoyama Kazan (1784–1837) — Yokoyama Kazan (1784–1837)

couple by willow trees, circa mid 1820s, Edo period (1600–1868)

Minister Hong bows to the Heavenly Teacher, Yokoyama Kazan (1784–1837) — Yokoyama Kazan (1784–1837)

Minister Hong bows to the Heavenly Teacher, early 1890s, Edo period (1600–1868)

child practicing calligraphy, Ichikawa Kiyū — Ichikawa Kiyū

child practicing calligraphy, circa 1860s, Edo period (1600–1868)

Susanoo no mikoto preparing to slay an eight-headed dragon, Keisai Eisen (1790–1848) — Keisai Eisen (1790–1848)

Susanoo no mikoto preparing to slay an eight-headed dragon, 1832, Edo period (1600–1868)

Ichikawa Danjūrō VII and Segawa Kikunojō V, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichikawa Danjūrō VII and Segawa Kikunojō V, 1821, Edo period (1600–1868)

Ichikawa Danjūrō VII as Soga no Gorō, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichikawa Danjūrō VII as Soga no Gorō, 1821 or 1822, Edo period (1600–1868)

Ichikawa Danjūrō VII and Segawa Kikunojō V, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichikawa Danjūrō VII and Segawa Kikunojō V, 1823, Edo period (1600–1868)

actors Ichikawa Danjūrō VII and Bandō Zenji, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

actors Ichikawa Danjūrō VII and Bandō Zenji, 1823, Edo period (1600–1868)

Ichikawa Danjūrō VII as a travelling pilgrim (see also 0000.1492), Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichikawa Danjūrō VII as a travelling pilgrim (see also 0000.1492), circa 1823, Edo period (1600–1868)

Segawa Kikunojō V drawing sword, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Segawa Kikunojō V drawing sword, circa 1823, Edo period (1600–1868)

The actor Onoe Kikugorō III, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

The actor Onoe Kikugorō III, circa 1823, Edo period (1600–1868)

woman combing a tress of hair, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

woman combing a tress of hair, circa 1820s, Edo period (1600–1868)

The actor Ichikawa Danjūrō VII in a Shibaraku role, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

The actor Ichikawa Danjūrō VII in a Shibaraku role, circa mid 1820s, Edo period (1600–1868)

Ichikawa Danjūrō VII and Bandō Mitsugorō III, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichikawa Danjūrō VII and Bandō Mitsugorō III, 1827, Edo period (1600–1868)

actor Ichikawa Danjūrō VII as Fuwa Banzaemon, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

actor Ichikawa Danjūrō VII as Fuwa Banzaemon, 1827, Edo period (1600–1868)

Ichiikawa Danjūrō VII and Iwai Hanshirō V, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Ichiikawa Danjūrō VII and Iwai Hanshirō V, circa 1827, Edo period (1600–1868)

courtesans and attendants under a plum tree, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

courtesans and attendants under a plum tree, circa 1820s–1830s, Edo period (1600–1868)

Lu Chi-shen holding an iron staff, Utagawa Kunisada (1786–1864) — Utagawa Kunisada (1786–1864)

Lu Chi-shen holding an iron staff, circa early 1830s, Edo period (1600–1868)

Kuronushi; a scene from the play Kagamiyama, Utagawa Kuniyasu (1794–1832) — Utagawa Kuniyasu (1794–1832)

Kuronushi; a scene from the play Kagamiyama, late 1810s–early 1820s, Edo period (1600–1868)

Iwai Hanshirō V seated by a brazier, Utagawa Kuniyoshi (1797–1861) — Utagawa Kuniyoshi (1797–1861)

Iwai Hanshirō V seated by a brazier, circa 1825–1835, Edo period (1600–1868)

Ichikawa Ebizō V (Danjūrō VII), Utagawa Kuniyoshi (1797–1861) — Utagawa Kuniyoshi (1797–1861)

Ichikawa Ebizō V (Danjūrō VII), mid 1830s, Edo period (1600–1868)

landscape with bridges and cherry trees, Madonoya (active circa 1830s) — Madonoya (active circa 1830s)

landscape with bridges and cherry trees, circa 1830s, Edo period (1600–1868)

pony dancer, Suzuki Nanrei (1775–1844) — Suzuki Nanrei (1775–1844)

pony dancer, 1813, Edo period (1600–1868)

Chinese scholar with goblet of wine, Yoshiki Rakuzan (active 1850s–1860s) — Yoshiki Rakuzan (active 1850s–1860s)

Chinese scholar with goblet of wine, 1862, Edo period (1600–1868)

Lady Yugao, Utagawa Sadakage I (active circa 1818–1844) — Utagawa Sadakage I (active circa 1818–1844)

Lady Yugao, early 1820s, Edo period (1600–1868)

Mokusei (wood), Utagawa Sadakage I (active circa 1818–1844) — Utagawa Sadakage I (active circa 1818–1844)

Mokusei (wood), late 1820s, Edo period (1600–1868)

Ichikawa Ebizō V (Danjūrō VII) as Matsunaga Daizen, Utagawa Sadakage I (active circa 1818–1844) — Utagawa Sadakage I (active circa 1818–1844)

Ichikawa Ebizō V (Danjūrō VII) as Matsunaga Daizen, 1832, Edo period (1600–1868)

Segawa Kikunojō V as Yukihime, Utagawa Sadakage I (active circa 1818–1844) — Utagawa Sadakage I (active circa 1818–1844)

Segawa Kikunojō V as Yukihime, 1832, Edo period (1600–1868)

well and plum tree, Umezawa Sessei (active 1850s–1860s) — Umezawa Sessei (active 1850s–1860s)

well and plum tree, 1861, Edo period (1600–1868)

poppies, Ueno Setsugaku (1800s) — Ueno Setsugaku (1800s)

poppies, 1862, Edo period (1600–1868)

geisha with iris crown, Yanagawa Shigenobu (1787–1832) — Yanagawa Shigenobu (1787–1832)

geisha with iris crown, early 1820s, Edo period (1600–1868)

puppy with kite and ball, Yanagawa Shigenobu (1787–1832) — Yanagawa Shigenobu (1787–1832)

puppy with kite and ball, 1826, Edo period (1600–1868)

young woman with painted fan, Yanagawa Shigenobu (1787–1832) — Yanagawa Shigenobu (1787–1832)

young woman with painted fan, circa late 1820s, Edo period (1600–1868)

Kintoki at well, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

Kintoki at well, 1803, Edo period (1600–1868)

courtesan and Kamuro beside a petting ox, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

courtesan and Kamuro beside a petting ox, 1805, Edo period (1600–1868)

poem cards with portraits of modern kyoka poets, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

poem cards with portraits of modern kyoka poets, circa 1805, Edo period (1600–1868)

Oni ni kanabō (An Iron Staff Against a Devil), Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

Oni ni kanabō (An Iron Staff Against a Devil), mid 1800s, Edo period (1600–1868)

kite of the strong man, Asaina, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

kite of the strong man, Asaina, circa 1810s, Edo period (1600–1868)

Niwatori Muko (The Rooster Bridegroom), Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

Niwatori Muko (The Rooster Bridegroom), 1813, Edo period (1600–1868)

child practicing calligraphy, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

child practicing calligraphy, 1810s, Edo period (1600–1868)

bird's eye view of the Sumida River, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

bird's eye view of the Sumida River, circa late 1810s, Edo period (1600–1868)

poet and plum tree, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

poet and plum tree, circa late 1810s, Edo period (1600–1868)

bolts of fabric, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

bolts of fabric, circa late 1810s, Edo period (1600–1868)

folded robe and crown, Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

folded robe and crown, 1818, Edo period (1600–1868)

Miyuke, Nowake, Fujibakama (the royal outing, the typhoon, purple trousers), Ryūryūkyo Shinsai (1764–1820) — Ryūryūkyo Shinsai (1764–1820)

Miyuke, Nowake, Fujibakama (the royal outing, the typhoon, purple trousers), 1819, Edo period (1600–1868)

shell work screen and box of food from Enoshima, Kubo Shumman (1757–1820) — Kubo Shumman (1757–1820)

shell work screen and box of food from Enoshima, 1809, Edo period (1600–1868)

Artame ne juni no tebako narabi ni kushi (casket and combs), Kubo Shumman (1757–1820) — Kubo Shumman (1757–1820)

Artame ne juni no tebako narabi ni kushi (casket and combs), 1814, Edo period (1600–1868)

Wakaki onokodomo warawabe nado to mari koyumi nado o mote asobitamau (she played with little boys with balls and small bows), Kubo Shumman (1757–1820) — Kubo Shumman (1757–1820)

Wakaki onokodomo warawabe nado to mari koyumi nado o mote asobitamau (she played with little boys with balls and small bows), 1810s, Edo period (1600–1868)

actor Sawamura Tanosuke II as the courtesan Shiratama, Kubo Shumman (1757–1820) — Kubo Shumman (1757–1820)

actor Sawamura Tanosuke II as the courtesan Shiratama, circa mid 1810s, Edo period (1600–1868)

long-tailed turtles, Katsukawa Shun'ei (1762–1819) — Katsukawa Shun'ei (1762–1819)

long-tailed turtles, late 1810s, Edo period (1600–1868)

Kara monogatari (Stories of China), Yoshimi Shūri (active 1810s–1820s) — Yoshimi Shūri (active 1810s–1820s)

Kara monogatari (Stories of China), circa late 1810s, Edo period (1600–1868)

Daikoku plaiting a rope, Matsuo Shūzan (active 1860–1870) — Matsuo Shūzan (active 1860–1870)

Daikoku plaiting a rope, circa 1860s, Edo period (1600–1868)

woman and child, Hishikawa Sōri (active 1790–1810) — Hishikawa Sōri (active 1790–1810)

woman and child, circa 1800–1805, Edo period (1600–1868)

spring landscape, Hishikawa Sōri (active 1790–1810) — Hishikawa Sōri (active 1790–1810)

spring landscape, circa 1805, Edo period (1600–1868)

plum tree in blossom, Fūryūan Tokinari (active 1804–1818) — Fūryūan Tokinari (active 1804–1818)

plum tree in blossom, circa early 1800s, Edo period (1600–1868)

Kikujidō seated by a stream, Toyohisa II (active circa 1830) — Toyohisa II (active circa 1830)

Kikujidō seated by a stream, 1830, 9th month, Edo period (1600–1868)

Ichikawa Danjūrō VII and two other actors (actors viewing plum blossoms), Utagawa Toyokuni I (1769–1825) — Utagawa Toyokuni I (1769–1825)

Ichikawa Danjūrō VII and two other actors (actors viewing plum blossoms), 1822, Edo period (1600–1868)

telescope, Uun (active 1805–1810) — Uun (active 1805–1810)

telescope, circa 1805–1810, Edo period (1600–1868)