Surimono Prints from the Collection of the Spencer Museum of Art | Spencer Museum of Art

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Exhibition

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Surimono Prints from the Collection of the Spencer Museum of Art

June 4, 1991–July 21, 1991

Riccar Art Museum, Tokyo, Japan

Works of art

Suda no tsutsumi (Cherry Trees on the Embankment of the Sumida River), Kōkintei Banzan — Kōkintei Banzan

Suda no tsutsumi (Cherry Trees on the Embankment of the Sumida River), circa late 1820s, Edo period (1600–1868)

badger and rabbit, Kita Busei; Tatekawa Emba II — Kita Busei; Tatekawa Emba II

badger and rabbit, 1831, Edo period (1600–1868)

brocade pouch and wrapper, Issai Chikara — Issai Chikara

brocade pouch and wrapper, 1806, Edo period (1600–1868)

standing screen, Yabu Chōsui — Yabu Chōsui

standing screen, 1861, Edo period (1600–1868)

tea wisk, tea scoop, and miniature plum tree, Keisai Eisen — Keisai Eisen

tea wisk, tea scoop, and miniature plum tree, circa early 1820s, Edo period (1600–1868)

fan paintings and camellias, Keisai Eisen — Keisai Eisen

fan paintings and camellias, circa early 1820s, Edo period (1600–1868)

boys chasing a woman with sticks, Keisai Eisen — Keisai Eisen

boys chasing a woman with sticks, 1823, Edo period (1600–1868)

women preparing ornaments for New Year, Keisai Eisen — Keisai Eisen

women preparing ornaments for New Year, mid 1820s, Edo period (1600–1868)

two young women writing first calligraphy of New Year, Keisai Eisen — Keisai Eisen

two young women writing first calligraphy of New Year, mid 1820s, Edo period (1600–1868)

Kōsagi and a courtier at Yōrō Waterfall, Keisai Eisen — Keisai Eisen

Kōsagi and a courtier at Yōrō Waterfall, mid 1820s, Edo period (1600–1868)

painted screen and New Year's offerings, Keisai Eisen — Keisai Eisen

painted screen and New Year's offerings, mid 1820s, Edo period (1600–1868)

girl and boy with printed game board and Pekinese dog, Keisai Eisen — Keisai Eisen

girl and boy with printed game board and Pekinese dog, 1826, Edo period (1600–1868)

an ōtsu painting of a rat, Keisai Eisen — Keisai Eisen

an ōtsu painting of a rat, 1828, Edo period (1600–1868)

child leading a woman on an ox, Keisai Eisen — Keisai Eisen

child leading a woman on an ox, 1829, Edo period (1600–1868)

women sewing and ironing, Keisai Eisen — Keisai Eisen

women sewing and ironing, circa late 1820s, Edo period (1600–1868)

Ushiwaka and Sōjōbō, Keisai Eisen — Keisai Eisen

Ushiwaka and Sōjōbō, 1829, Edo period (1600–1868)

Benkei and Shizuka, Keisai Eisen — Keisai Eisen

Benkei and Shizuka, 1829, Edo period (1600–1868)

Hōjō Tokiyori, Yashima Gakutei — Yashima Gakutei

Hōjō Tokiyori, circa 1820, Edo period (1600–1868)

Yōkihi sakura (Yang Kuei-fei), Yashima Gakutei — Yashima Gakutei

Yōkihi sakura (Yang Kuei-fei), early 1820s, Edo period (1600–1868)

woman and boy with votive painting, Yashima Gakutei — Yashima Gakutei

woman and boy with votive painting, early 1820s, Edo period (1600–1868)

Ushiwaka and Sōjōbō, Yashima Gakutei — Yashima Gakutei

Ushiwaka and Sōjōbō, 1820s, Edo period (1600–1868)

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), Yashima Gakutei — Yashima Gakutei

Muneyuki ga rōtō tora o utsu (Muneyuki's soldier slays a tiger), circa late 1820s, Edo period (1600–1868)

two painted fans, Genjudo — Genjudo

two painted fans, circa 1810s, Edo period (1600–1868)

a gilded wooden model of Daikoku's magic mallet, Matsukawa Hanzan — Matsukawa Hanzan

a gilded wooden model of Daikoku's magic mallet, circa early 1860s, Edo period (1600–1868)

sparrow on rose branch, Utagawa Hiroshige — Utagawa Hiroshige

sparrow on rose branch, late 1830 or early 1840s, Edo period (1600–1868)

old man presenting jar to court lady, Utagawa Hiroshige II — Utagawa Hiroshige II

old man presenting jar to court lady, 1856, Edo period (1600–1868)

courtesan, client, and entertainer, Totoya Hokkei — Totoya Hokkei

courtesan, client, and entertainer, 1811, Edo period (1600–1868)

street dancers, Totoya Hokkei — Totoya Hokkei

street dancers, 1811, Edo period (1600–1868)

still life, Totoya Hokkei — Totoya Hokkei

still life, 1813, Edo period (1600–1868)

Ebisu, Totoya Hokkei — Totoya Hokkei

Ebisu, circa mid 1810s, Edo period (1600–1868)

Hotei, Totoya Hokkei — Totoya Hokkei

Hotei, circa mid 1810s, Edo period (1600–1868)

Samisen case covered with blue cloth, Totoya Hokkei — Totoya Hokkei

Samisen case covered with blue cloth, circa mid 1810s, Edo period (1600–1868)

Qingao riding a carp, Totoya Hokkei — Totoya Hokkei

Qingao riding a carp, circa 1820, Edo period (1600–1868)

well and plum tree, Totoya Hokkei — Totoya Hokkei

well and plum tree, early 1820s, Edo period (1600–1868)

Hikizome yoshi (A Good Day to Start Playing the Samisen), Totoya Hokkei — Totoya Hokkei

Hikizome yoshi (A Good Day to Start Playing the Samisen), 1820s, Edo period (1600–1868)

Ibori yoshi (A Good Day to Dig a Well), Totoya Hokkei — Totoya Hokkei

Ibori yoshi (A Good Day to Dig a Well), early 1820s, Edo period (1600–1868)

Do (Earth), Totoya Hokkei — Totoya Hokkei

Do (Earth), 1820s, Edo period (1600–1868)

Gōmō (Wu Meng); woman washing her face, Totoya Hokkei — Totoya Hokkei

Gōmō (Wu Meng); woman washing her face, circa late 1820s, Edo period (1600–1868)

Yamanba (The Mountain Woman), Totoya Hokkei — Totoya Hokkei

Yamanba (The Mountain Woman), mid-late 1820s, Edo period (1600–1868)

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), Totoya Hokkei — Totoya Hokkei

Ryūhō hakuju o kiru (Liu Bang kills the white serpent), 1832, Edo period (1600–1868)

King Raryō, Totoya Hokkei — Totoya Hokkei

King Raryō, circa early 1830s, Edo period (1600–1868)

woman with kettle and rice crackers, Totoya Hokkei — Totoya Hokkei

woman with kettle and rice crackers, 1830s, Edo period (1600–1868)

two fans and a bowl of Adonis flowers, Totoya Hokkei — Totoya Hokkei

two fans and a bowl of Adonis flowers, early or mid 1830s, Edo period (1600–1868)

Adonis flowers and three fans, Totoya Hokkei — Totoya Hokkei

Adonis flowers and three fans, 1839, Edo period (1600–1868)

Yoki takimono takite hitori fushitaru (To burn fine incense and sleep alone), Teisai Hokuba — Teisai Hokuba

Yoki takimono takite hitori fushitaru (To burn fine incense and sleep alone), circa late 1810s, Edo period (1600–1868)

courtesan at window, Katsushika Hokusai — Katsushika Hokusai

courtesan at window, circa late 1790s, Edo period (1600–1868)

chrysanthemum display, Katsushika Hokusai — Katsushika Hokusai

chrysanthemum display, 1799, Edo period (1600–1868)

Microscope, Katsushika Hokusai — Katsushika Hokusai

Microscope, circa 1800–1805, Edo period (1600–1868)

Mariko, Katsushika Hokusai — Katsushika Hokusai

Mariko, 1804, Edo period (1600–1868)

Fujieda, Katsushika Hokusai — Katsushika Hokusai

Fujieda, 1804, Edo period (1600–1868)

Hōraiji shunkei (Spring view of Horai Temple), Katsushika Hokusai — Katsushika Hokusai

Hōraiji shunkei (Spring view of Horai Temple), 1804, Edo period (1600–1868)

Okazaki, Katsushika Hokusai — Katsushika Hokusai

Okazaki, 1804, Edo period (1600–1868)

Miya, Katsushika Hokusai — Katsushika Hokusai

Miya, 1804, Edo period (1600–1868)

cranes in pine tree, Katsushika Hokusai — Katsushika Hokusai

cranes in pine tree, circa 1805, Edo period (1600–1868)

woman on Nihon bridge, Katsushika Hokusai — Katsushika Hokusai

woman on Nihon bridge, 1819, Edo period (1600–1868)

Tomoe Gozen and Xiang Yu, Katsushika Hokusai — Katsushika Hokusai

Tomoe Gozen and Xiang Yu, 1820, Edo period (1600–1868)

Benkei and Chinese princess, Katsushika Hokusai — Katsushika Hokusai

Benkei and Chinese princess, 1820, Edo period (1600–1868)

Ōiko and Fan Kuai, Katsushika Hokusai — Katsushika Hokusai

Ōiko and Fan Kuai, 1820, Edo period (1600–1868)

Kinutagai (The Pounding Block Shell), Katsushika Hokusai — Katsushika Hokusai

Kinutagai (The Pounding Block Shell), 1821, Edo period (1600–1868)

Monoaragai (The Turban Shell), Katsushika Hokusai — Katsushika Hokusai

Monoaragai (The Turban Shell), 1821, Edo period (1600–1868)

Sōmayaki (Ceramics from Sōma), Katsushika Hokusai — Katsushika Hokusai

Sōmayaki (Ceramics from Sōma), 1822, Edo period (1600–1868)

Kami (Paper), Katsushika Hokusai — Katsushika Hokusai

Kami (Paper), 1823, Edo period (1600–1868)

Daikoku lifting a rice bale, Katsushika Hokusai — Katsushika Hokusai

Daikoku lifting a rice bale, 1825, Edo period (1600–1868)

Isse ichidai kai (a retirement gathering), Katsushika Hokusai — Katsushika Hokusai

Isse ichidai kai (a retirement gathering), 1830, Edo period (1600–1868)

theater announcer addressing audience, Kakutei — Kakutei

theater announcer addressing audience, 1818, Edo period (1600–1868)

couple by willow trees, Yokoyama Kazan — Yokoyama Kazan

couple by willow trees, circa mid 1820s, Edo period (1600–1868)

Minister Hong bows to the Heavenly Teacher, Yokoyama Kazan — Yokoyama Kazan

Minister Hong bows to the Heavenly Teacher, early 1890s, Edo period (1600–1868)

child practicing calligraphy, Ichikawa Kiyū — Ichikawa Kiyū

child practicing calligraphy, circa 1860s, Edo period (1600–1868)

Susanoo no mikoto preparing to slay an eight-headed dragon, Keisai Eisen — Keisai Eisen

Susanoo no mikoto preparing to slay an eight-headed dragon, 1832, Edo period (1600–1868)

Ichikawa Danjūrō VII and Segawa Kikunojō V, Utagawa Kunisada — Utagawa Kunisada

Ichikawa Danjūrō VII and Segawa Kikunojō V, 1821, Edo period (1600–1868)

Ichikawa Danjūrō VII as Soga no Gorō, Utagawa Kunisada — Utagawa Kunisada

Ichikawa Danjūrō VII as Soga no Gorō, 1821 or 1822, Edo period (1600–1868)

Ichikawa Danjūrō VII and Segawa Kikunojō V, Utagawa Kunisada — Utagawa Kunisada

Ichikawa Danjūrō VII and Segawa Kikunojō V, 1823, Edo period (1600–1868)

actors Ichikawa Danjūrō VII and Bandō Zenji, Utagawa Kunisada — Utagawa Kunisada

actors Ichikawa Danjūrō VII and Bandō Zenji, 1823, Edo period (1600–1868)

Ichikawa Danjūrō VII as a travelling pilgrim (see also 0000.1492), Utagawa Kunisada — Utagawa Kunisada

Ichikawa Danjūrō VII as a travelling pilgrim (see also 0000.1492), circa 1823, Edo period (1600–1868)

Segawa Kikunojō V drawing sword, Utagawa Kunisada — Utagawa Kunisada

Segawa Kikunojō V drawing sword, circa 1823, Edo period (1600–1868)

The actor Onoe Kikugorō III, Utagawa Kunisada — Utagawa Kunisada

The actor Onoe Kikugorō III, circa 1823, Edo period (1600–1868)

woman combing a tress of hair, Utagawa Kunisada — Utagawa Kunisada

woman combing a tress of hair, circa 1820s, Edo period (1600–1868)

The actor Ichikawa Danjūrō VII in a Shibaraku role, Utagawa Kunisada — Utagawa Kunisada

The actor Ichikawa Danjūrō VII in a Shibaraku role, circa mid 1820s, Edo period (1600–1868)

Ichikawa Danjūrō VII and Bandō Mitsugorō III, Utagawa Kunisada — Utagawa Kunisada

Ichikawa Danjūrō VII and Bandō Mitsugorō III, 1827, Edo period (1600–1868)

actor Ichikawa Danjūrō VII as Fuwa Banzaemon, Utagawa Kunisada — Utagawa Kunisada

actor Ichikawa Danjūrō VII as Fuwa Banzaemon, 1827, Edo period (1600–1868)

Ichiikawa Danjūrō VII and Iwai Hanshirō V, Utagawa Kunisada — Utagawa Kunisada

Ichiikawa Danjūrō VII and Iwai Hanshirō V, circa 1827, Edo period (1600–1868)

courtesans and attendants under a plum tree, Utagawa Kunisada — Utagawa Kunisada

courtesans and attendants under a plum tree, circa 1820s–1830s, Edo period (1600–1868)

Lu Chi-shen holding an iron staff, Utagawa Kunisada — Utagawa Kunisada

Lu Chi-shen holding an iron staff, circa early 1830s, Edo period (1600–1868)

Kuronushi; a scene from the play Kagamiyama, Utagawa Kuniyasu — Utagawa Kuniyasu

Kuronushi; a scene from the play Kagamiyama, late 1810s–early 1820s, Edo period (1600–1868)

Iwai Hanshirō V seated by a brazier, Utagawa Kuniyoshi — Utagawa Kuniyoshi

Iwai Hanshirō V seated by a brazier, circa 1825–1835, Edo period (1600–1868)

Ichikawa Ebizō V (Danjūrō VII), Utagawa Kuniyoshi — Utagawa Kuniyoshi

Ichikawa Ebizō V (Danjūrō VII), mid 1830s, Edo period (1600–1868)

landscape with bridges and cherry trees, Madonoya — Madonoya

landscape with bridges and cherry trees, circa 1830s, Edo period (1600–1868)

pony dancer, Suzuki Nanrei — Suzuki Nanrei

pony dancer, 1813, Edo period (1600–1868)

Chinese scholar with goblet of wine, Yoshiki Rakuzan — Yoshiki Rakuzan

Chinese scholar with goblet of wine, 1862, Edo period (1600–1868)

Lady Yugao, Utagawa Sadakage I — Utagawa Sadakage I

Lady Yugao, early 1820s, Edo period (1600–1868)

Mokusei (wood), Utagawa Sadakage I — Utagawa Sadakage I

Mokusei (wood), late 1820s, Edo period (1600–1868)

Ichikawa Ebizō V (Danjūrō VII) as Matsunaga Daizen, Utagawa Sadakage I — Utagawa Sadakage I

Ichikawa Ebizō V (Danjūrō VII) as Matsunaga Daizen, 1832, Edo period (1600–1868)

Segawa Kikunojō V as Yukihime, Utagawa Sadakage I — Utagawa Sadakage I

Segawa Kikunojō V as Yukihime, 1832, Edo period (1600–1868)

well and plum tree, Umezawa Sessei — Umezawa Sessei

well and plum tree, 1861, Edo period (1600–1868)

poppies, Ueno Setsugaku — Ueno Setsugaku

poppies, 1862, Edo period (1600–1868)

geisha with iris crown, Yanagawa Shigenobu — Yanagawa Shigenobu

geisha with iris crown, early 1820s, Edo period (1600–1868)

puppy with kite and ball, Yanagawa Shigenobu — Yanagawa Shigenobu

puppy with kite and ball, 1826, Edo period (1600–1868)

young woman with painted fan, Yanagawa Shigenobu — Yanagawa Shigenobu

young woman with painted fan, circa late 1820s, Edo period (1600–1868)

Kintoki at well, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

Kintoki at well, 1803, Edo period (1600–1868)

courtesan and Kamuro beside a petting ox, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

courtesan and Kamuro beside a petting ox, 1805, Edo period (1600–1868)

poem cards with portraits of modern kyoka poets, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

poem cards with portraits of modern kyoka poets, circa 1805, Edo period (1600–1868)

Oni ni kanabō (An Iron Staff Against a Devil), Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

Oni ni kanabō (An Iron Staff Against a Devil), mid 1800s, Edo period (1600–1868)

kite of the strong man, Asaina, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

kite of the strong man, Asaina, circa 1810s, Edo period (1600–1868)

Niwatori Muko (The Rooster Bridegroom), Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

Niwatori Muko (The Rooster Bridegroom), 1813, Edo period (1600–1868)

child practicing calligraphy, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

child practicing calligraphy, 1810s, Edo period (1600–1868)

bird's eye view of the Sumida River, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

bird's eye view of the Sumida River, circa late 1810s, Edo period (1600–1868)

poet and plum tree, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

poet and plum tree, circa late 1810s, Edo period (1600–1868)

bolts of fabric, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

bolts of fabric, circa late 1810s, Edo period (1600–1868)

folded robe and crown, Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

folded robe and crown, 1818, Edo period (1600–1868)

Miyuke, Nowake, Fujibakama (the royal outing, the typhoon, purple trousers), Ryūryūkyo Shinsai — Ryūryūkyo Shinsai

Miyuke, Nowake, Fujibakama (the royal outing, the typhoon, purple trousers), 1819, Edo period (1600–1868)

shell work screen and box of food from Enoshima, Kubo Shumman — Kubo Shumman

shell work screen and box of food from Enoshima, 1809, Edo period (1600–1868)

Artame ne juni no tebako narabi ni kushi (casket and combs), Kubo Shumman — Kubo Shumman

Artame ne juni no tebako narabi ni kushi (casket and combs), 1814, Edo period (1600–1868)

Wakaki onokodomo warawabe nado to mari koyumi nado o mote asobitamau (she played with little boys with balls and small bows), Kubo Shumman — Kubo Shumman

Wakaki onokodomo warawabe nado to mari koyumi nado o mote asobitamau (she played with little boys with balls and small bows), 1810s, Edo period (1600–1868)

actor Sawamura Tanosuke II as the courtesan Shiratama, Kubo Shumman — Kubo Shumman

actor Sawamura Tanosuke II as the courtesan Shiratama, circa mid 1810s, Edo period (1600–1868)

long-tailed turtles, Katsukawa Shun'ei — Katsukawa Shun'ei

long-tailed turtles, late 1810s, Edo period (1600–1868)

Kara monogatari (Stories of China), Yoshimi Shūri — Yoshimi Shūri

Kara monogatari (Stories of China), circa late 1810s, Edo period (1600–1868)

Daikoku plaiting a rope, Matsuo Shūzan — Matsuo Shūzan

Daikoku plaiting a rope, circa 1860s, Edo period (1600–1868)

woman and child, Hishikawa Sōri — Hishikawa Sōri

woman and child, circa 1800–1805, Edo period (1600–1868)

spring landscape, Hishikawa Sōri — Hishikawa Sōri

spring landscape, circa 1805, Edo period (1600–1868)

plum tree in blossom, Fūryūan Tokinari — Fūryūan Tokinari

plum tree in blossom, circa early 1800s, Edo period (1600–1868)

Kikujidō seated by a stream, Toyohisa II — Toyohisa II

Kikujidō seated by a stream, 1830, 9th month, Edo period (1600–1868)

Ichikawa Danjūrō VII and two other actors (actors viewing plum blossoms), Utagawa Toyokuni I — Utagawa Toyokuni I

Ichikawa Danjūrō VII and two other actors (actors viewing plum blossoms), 1822, Edo period (1600–1868)

telescope, Uun — Uun

telescope, circa 1805–1810, Edo period (1600–1868)