Teaching Gallery: Mexican Art | Spencer Museum of Art

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Teaching Gallery: Mexican Art

August 6, 2013–September 8, 2013

Gallery 319, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Mexican art selected for a teacher workshop programming related to Latin America and the Nelson-Atkins’ exhibition Frida Kahlo, Diego Rivera, and Masterpieces of Modern Mexico from the Jacques and Natasha Gelman Collection

Works of art

drapery study for figure of Moderation, Kenyon Cox — Kenyon Cox

drapery study for figure of Moderation, circa 1908

first sketch for Composition, Kenyon Cox — Kenyon Cox

first sketch for Composition, circa 1908

Man with a Hoe, Los Remedios, Paul Strand — Paul Strand

Man with a Hoe, Los Remedios, 1940

Men of Santa Anna, Michoacon, Paul Strand — Paul Strand

Men of Santa Anna, Michoacon, 1940

Gorrión, Claro (Skylight), Manuel Alvarez Bravo — Manuel Alvarez Bravo

Gorrión, Claro (Skylight), 1938–1940

Retrato de lo Eterno (Woman Combing Her Hair), Manuel Alvarez Bravo — Manuel Alvarez Bravo

Retrato de lo Eterno (Woman Combing Her Hair), 1932–1933

The Visit, Manuel Alvarez Bravo — Manuel Alvarez Bravo

The Visit, circa 1979

Day of All Dead, Manuel Alvarez Bravo — Manuel Alvarez Bravo

Day of All Dead, 1933

Crossing at Chalma, Manuel Alvarez Bravo — Manuel Alvarez Bravo

Crossing at Chalma, 1942

Dos Pares de Piernas (Two Pairs of Legs), Manuel Alvarez Bravo — Manuel Alvarez Bravo

Dos Pares de Piernas (Two Pairs of Legs), 1928

Rebumbio de Calaveras (Skeletons in a Hubbub), José Guadalupe Posada — José Guadalupe Posada

Rebumbio de Calaveras (Skeletons in a Hubbub), mid 1800s–early 1900s

Bountiful Corn Harvest, Francisco Mora — Francisco Mora

Bountiful Corn Harvest, 1951

Nuestra señora de las iguanas (Our Lady of the Iguanas), Graciela Iturbide — Graciela Iturbide

Nuestra señora de las iguanas (Our Lady of the Iguanas), 1979

Zapata, Diego Rivera — Diego Rivera

Zapata, 1932

Lo que no debe venir (That Which Must Not Come), Leopoldo Méndez — Leopoldo Méndez

Lo que no debe venir (That Which Must Not Come), 1945

Industrializació del Campo (Industrialization of the Fields), Sarah Jiménez; Taller Gráfica Popular — Sarah Jiménez; Taller Gráfica Popular

Industrializació del Campo (Industrialization of the Fields), circa 1961

Intervención en Veracruz (Intervention in Veracruz), Pablo O'Higgins; Taller Gráfica Popular — Pablo O'Higgins; Taller Gráfica Popular

Intervención en Veracruz (Intervention in Veracruz), circa 1961

Homenaje a José Guadalupe Posada, Leopoldo Méndez — Leopoldo Méndez

Homenaje a José Guadalupe Posada, 1956

Cárdenas y la Expropación Petrolera (Cárdenas and the Expropriation of Petroleum), Jesús Alvarez Amaya; Taller Gráfica Popular — Jesús Alvarez Amaya; Taller Gráfica Popular

Cárdenas y la Expropación Petrolera (Cárdenas and the Expropriation of Petroleum), circa 1961

The Founding of Westport Landing, Thomas Hart Benton — Thomas Hart Benton

The Founding of Westport Landing, 1956

Preparatory study for Pollinators Mural, Dave Loewenstein — Dave Loewenstein

Preparatory study for Pollinators Mural, 2007

Eagle and Snake II, Luis Alfonso Jimenez; Lawrence Lithography Workshop — Luis Alfonso Jimenez; Lawrence Lithography Workshop

Eagle and Snake II, 2008

Compañias extranjeras. ¿Quién encenderá mi Chesterfield? (Foreign Companies. Who Will Light My Chesterfield?), Taller Gráfica Popular; Arturo García Bustos — Taller Gráfica Popular; Arturo García Bustos

Compañias extranjeras. ¿Quién encenderá mi Chesterfield? (Foreign Companies. Who Will Light My Chesterfield?), circa 1950