Brosseau Center for Learning: Art, Identity, and Revolution in Africa and Cuba
Exhibition
Exhibition Overview

Brosseau Center for Learning: Art, Identity, and Revolution in Africa and Cuba
March 21, 2017–April 23, 2017
Gallery 318, The Jack and Lavon Brosseau Center for Learning, Spencer Museum of Art, University of Kansas, Lawrence, Kansas
Art, Identity, and Revolution in Africa and Cuba was organized and curated by students in Jessica Gerschultz’ AAAS320/HA353 Modern and Contemporary African Art and Cécile Accilien’s AAAS323/LAA302 Cuba in the Americas.
Works of art
Daniel S. Williams
Festival on the Parkway,
1991
Willie Cole
Man, Spirit, and Mask,
1999
Willie Cole
Man, Spirit, and Mask,
1999
Willie Cole
Man, Spirit, and Mask,
1999
Renée Stout; Zanatta Editions; Maurice Sanchez; Derriere L'Etoile Studios
A Vision I Can't Forget,
1999
Renée Stout; Zanatta Editions; Maurice Sanchez; Derriere L'Etoile Studios
unrecorded Ejagham or Widekum artist
mask,
circa 1930
unrecorded Yoruba artist
brass fan,
late 1800s–1975
unrecorded Oyo artist
oshe Shango (dance wand),
late 1800s–1975
unrecorded Oyo artist
standing figure, identified as Eshu,
late 1800s–1975
unrecorded Oyo artist
Eshu figure with shell attachments,
late 1800s–1975
Alain Bosquet; Wifredo Lam
untitled,
1959
Carmelo González Iglesias
Atilano Armenteros Ramos
Alfredo Sosabravo
Alfredo Sosabravo
Luis Peñalver Collazo
Carmelo González Iglesias
Lesbia Vent Dumois
Alfredo Sosabravo
Lesbia Vent Dumois
Osvaldo Cabrera Del Valle
Carmelo González Iglesias
Juan Sánchez Sánchez
Dirck Hals
A Jolly Company,
early-mid 1600s
Hendrik Cornelisz. van Vliet