Brosseau Center for Learning: Let’s Get Medieval | Spencer Museum of Art

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Brosseau Center for Learning: Let’s Get Medieval

Kate Meyer, curator
Cara Nordengren, curator

Gallery 318, The Jack and Lavon Brosseau Center for Learning, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selections from the collection for Sarah Dyer’s HA 393/HA 595 The Medieval Fantasy.

Works of art

Master I. B. (active circa 1523–1530), Mars — Mars

Master I. B.

1528

Hennequin du Vivier, Saint Michael presenting donor to Virgin and Child plaque — Saint Michael presenting donor to Virgin and Child plaque

Hennequin du Vivier

late 1300s

Georg Pencz (1500–1550), Christ Entering Jerusalem — Christ Entering Jerusalem

Georg Pencz

circa 1530

reliquary of the True Cross — reliquary of the True Cross

circa 1500

Georg Pencz (1500–1550), Temptation of Christ — Temptation of Christ

Georg Pencz

circa 1530

Hans Holbein the younger (1497–1543), Der Ritter (The Knight) plaquette — Der Ritter (The Knight) plaquette

Hans Holbein the younger

1600s

Georg Pencz (1500–1550), Pharisees Wish to Stone Christ — Pharisees Wish to Stone Christ

Georg Pencz

circa 1530

Annunciation — Annunciation

circa 1450

Albrecht Altdorfer (circa 1480–1538), Sündenfall und Erlösung des Menschengeschlectes (Fall and Redemption of Man) — Sündenfall und Erlösung des Menschengeschlectes (Fall and Redemption of Man)

Albrecht Altdorfer

circa 1513

Presentation in the Temple — Presentation in the Temple

1500s

Saint Sebastian — Saint Sebastian

late 1400s

The First Antwerp Woodcutter (active 1485–1491), Creation: the six works of Creation; God forming Eve from Adam’s rib — Creation: the six works of Creation; God forming Eve from Adam’s rib

The First Antwerp Woodcutter

circa 1487

Apostle (probably once part of altarpiece) — Apostle (probably once part of altarpiece)

circa 1420

Lindsay Draws, Let's Get Medieval — Let's Get Medieval

Lindsay Draws

2012

Urs Graf (circa 1485–1527), Standard-Bearer With the Arms of Zug — Standard-Bearer With the Arms of Zug

Urs Graf

1520–1521

head of a lion — head of a lion

1100s

Apostle (probably once part of altarpiece) — Apostle (probably once part of altarpiece)

circa 1420

Georg Pencz (1500–1550), Christ Healing Man Possessed — Christ Healing Man Possessed

Georg Pencz

circa 1530

John the Apostle Boiling in Oil — John the Apostle Boiling in Oil

1500s

St. Jerome and the Lion — St. Jerome and the Lion

circa 1480

Crucifixion plaque (part of diptych) — Crucifixion plaque (part of diptych)

late 1300s

The Crucifixion — The Crucifixion

circa 1480

chrismatory — chrismatory

circa 1450

page from a book of hours (from Vigil for the Dead, part of the reading for the first nocturn) — page from a book of hours (from Vigil for the Dead, part of the reading for the first nocturn)

late 1400s

Flight into Egypt — Flight into Egypt

1500s

Hans Holbein the younger (1497–1543); Hans Lützelburger (active circa 1516–1526), Death and the Knight, from the Dance of Death — Death and the Knight, from the Dance of Death

Hans Holbein the younger, Hans Lützelburger

before 1538

St. Augustine with Two Praying Monks — St. Augustine with Two Praying Monks

circa 1500

pax with the Pietà — pax with the Pietà

circa 1500

Guiduccio Palmerucci (1280–circa 1349), Madonna and Child between Two Angels, with a Kneeling Donor, His Wife and Child — Madonna and Child between Two Angels, with a Kneeling Donor, His Wife and Child

Guiduccio Palmerucci

circa 1340s

basin with lion of Saint Mark — basin with lion of Saint Mark

circa 1580

Erhard Schön (circa 1491–1542), The Snare of the Fowler — The Snare of the Fowler

Erhard Schön

1530–1535

School of the Upper Rhine, Scene from Ars Moriendi: The Art of Dying — Scene from Ars Moriendi: The Art of Dying

School of the Upper Rhine

late 1400s

The Flagellation — The Flagellation

1500s

Iohannes Bämler (active circa 1450–1475); Artist Unknown, The Bride of Christ (1 column of text & illustration) from Buch der Kunst, da durch der weltliche Mensch mag geistlich werden (Book of Art through which the worldly man may become spiritual) — The Bride of Christ (1 column of text & illustration) from Buch der Kunst, da durch der weltliche Mensch mag geistlich werden (Book of Art through which the worldly man may become spiritual)

Iohannes Bämler, Artist Unknown

1477

Sebald Beham (1500–1550), Philip and James — Philip and James

Sebald Beham

1520

a page from an antiphonal — a page from an antiphonal

1400s

Andrew Evyngar, 1535, All Hallows, Barking, London (tomb rubbing) — Andrew Evyngar, 1535, All Hallows, Barking, London (tomb rubbing)

1535

Figure of the crucified Christ — Figure of the crucified Christ

1200–1250

coffret panel with scenes from the courtly romance, "La Chastelaine de Vergi" — coffret panel with scenes from the courtly romance, "La Chastelaine de Vergi"

circa 1300–1375

Illuminated manuscript bifolio/double leaf — Illuminated manuscript bifolio/double leaf

1400s

Crucifixion with Four Saints — Crucifixion with Four Saints

1400s

Pere Oller (active 1394–1456), pleurant (mourner) from the tomb of the King of Aragon 1417 — pleurant (mourner) from the tomb of the King of Aragon 1417

Pere Oller

early 1400s

Christ Child — Christ Child

circa 1220

illustrated music manuscript leaf — illustrated music manuscript leaf

1500s

Pierre Reymond (circa 1513–after 1584), pax - Crucifixion with Virgin and St. John — pax - Crucifixion with Virgin and St. John

Pierre Reymond

mid 1500s