Brosseau Center for Learning: Let’s Get Medieval | Spencer Museum of Art

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Exhibition

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Brosseau Center for Learning: Let’s Get Medieval

Kate Meyer, curator
Cara Nordengren, curator

Gallery 318, The Jack and Lavon Brosseau Center for Learning, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selections from the collection for Sarah Dyer’s HA 393/HA 595 The Medieval Fantasy.

Works of art

Master I. B. (active circa 1523–1530), Mars

Hennequin du Vivier, Saint Michael presenting donor to Virgin and Child plaque

Georg Pencz (1500–1550), Christ Entering Jerusalem

reliquary of the True Cross

Georg Pencz (1500–1550), Temptation of Christ

Hans Holbein the younger (1497–1543), Der Ritter (The Knight) plaquette

Georg Pencz (1500–1550), Pharisees Wish to Stone Christ

Albrecht Altdorfer (circa 1480–1538), Sündenfall und Erlösung des Menschengeschlectes (Fall and Redemption of Man)

Presentation in the Temple

Saint Sebastian

The First Antwerp Woodcutter (active 1485–1491), Creation: the six works of Creation; God forming Eve from Adam’s rib

Apostle (probably once part of altarpiece)

Lindsay Draws, Let's Get Medieval

Urs Graf (circa 1485–1527), Standard-Bearer With the Arms of Zug

Apostle (probably once part of altarpiece)

Georg Pencz (1500–1550), Christ Healing Man Possessed

John the Apostle Boiling in Oil

St. Jerome and the Lion

Crucifixion plaque (part of diptych)

The Crucifixion

page from a book of hours (from Vigil for the Dead, part of the reading for the first nocturn)

Flight into Egypt

Hans Holbein the younger (1497–1543); Hans Lützelburger (active circa 1516–1526), Death and the Knight, from the Dance of Death

St. Augustine with Two Praying Monks

pax with the Pietà

Guiduccio Palmerucci (1280–circa 1349), Madonna and Child between Two Angels, with a Kneeling Donor, His Wife and Child

basin with lion of Saint Mark

Erhard Schön (circa 1491–1542), The Snare of the Fowler

School of the Upper Rhine, Scene from Ars Moriendi: The Art of Dying

The Flagellation

Iohannes Bämler (active circa 1450–1475); Artist Unknown, The Bride of Christ (1 column of text & illustration) from Buch der Kunst, da durch der weltliche Mensch mag geistlich werden (Book of Art through which the worldly man may become spiritual)

Sebald Beham (1500–1550), Philip and James

a page from an antiphonal

Andrew Evyngar, 1535, All Hallows, Barking, London (tomb rubbing)

Figure of the crucified Christ

coffret panel with scenes from the courtly romance, "La Chastelaine de Vergi"

Illuminated manuscript bifolio/double leaf

Crucifixion with Four Saints

Pere Oller (active 1394–1456), pleurant (mourner) from the tomb of the King of Aragon 1417

illustrated music manuscript leaf

Pierre Reymond (circa 1513–after 1584), pax - Crucifixion with Virgin and St. John