Japan Re-imagined/Post-war Art

Exhibition

Exhibition Overview

Image not available
Japan Re-imagined/Post-war Art
Kris Ercums, curator
March 6, 2008–June 1, 2008
Asia Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Many artists in the wake of the postwar years turned to a profound examination of Japanese history, tradition and society as both a means for self-critique and cultural regeneration. This process of “re-imagining” Japan during the postwar period took on many forms. Some artists sought to celebrate the “Japanese spirit,” depicting it in fresh, contemporary idioms as a way of granting it universal appeal. For others remembering the past was part of a critical investigation of Japanese society. New developments in the international art scene like Pop and conceptualism offered other Japanese artists a fresh perspective for approaching their society through art. Presenting many never-before exhibited prints and ceramics from the Spencer’s permanent collection, Japan Re-imagined/Post-war Art explores the multiple ways in which Japanese artists during the later half of the twentieth century negotiated issues like culture, memory, time and space.

This exhibition is organized by Kris Ercums, Asian art curator, in conjunction with the exhibition Resounding Spirit: Japanese Contemporary Art of the 1960s.

Exhibition images

Works of art

hanaire 花入 (flower container), circa 1730, Edo period (1600–1868)
tea caddy, Edo period (1600–1868)
chaire 茶入 (tea caddy), late 1800s–early 1900s, Meiji period (1868–1912) or Taisho period (1912–1926)
Ikeda Masuo (1934–1997)
untitled, 1968, Showa period (1926–1989)
Hagiwara Hideo (1913–2007)
Somme Day, 1959, Showa period (1926–1989)
Hosoe Eikō (1933–2024)
Embrace #3, 1971, Showa period (1926–1989)
Kawachi Seikō (born 1948)
Katsura X, 1984, Showa period (1926–1989)
Itō Sekisui V (born 1941)
tsubo, mid-late 1900s
Miyashita Zenji (born 1939)
vase, circa 1980s, Showa period (1926–1989)
Jun Kaneko (born 1942)
Tanaka Ryōhei (1933–1999)
Ruined Farm House #4 (Wall #4), 1975, Showa period (1926–1989)
Tanaka Ryōhei (1933–1999)
Wall #4, 1984, Showa period (1926–1989)
Hagiwara Hideo (1913–2007)
Memories of the East, 1983, Showa period (1926–1989)
Clifton Karhu (1927–2007)
Karasuma Gate, 1989, Showa period (1926–1989)
Takahiro Kondō (born 1958)
Sawada Tetsurō (1933–1998)
Skyscape, 1985, Showa period (1926–1989)
Yoshida Tōshi (1911–1995)
Unknown (Michi no), 1968, Showa period (1926–1989)
Kabasawa Kenji (born 1948)
Fukushima Keidō (1933–2011)
Tsujimura Shirō (born 1947)
Morishita Ryōzō (born 1947)
A Weir, 2000
Matsuda Yuriko (born 1943)
Toshio Shibata (born 1949)
Hiroshi Kawano
Simulated Color Mosaic, 1973, Showa period (1926–1989)
Inui Tai (born 1929)
Fighting Festival, 1980s, Showa period (1926–1989)
Tsuboi Asuka (1932–2022)
Yoshiko Jinzenji (born 1942)
Iwami Reika (1927–2020)
Sueharu Fukami (born 1947)
Seto Hiroshi (1941–1994)
untitled (88/01), 1988, Showa period (1926–1989)
Kuroda Shigeki (born 1953)
Riders-B, circa 1984, Showa period (1926–1989)
Imamura Yoshio (born 1948)
Kaoru Kawano (1916–1965)
Camellia (E), date unknown
Honda Kazuhisa (born 1948)
116th Landscape, 1979, Showa period (1926–1989)
Miyamoto Shufu (born 1950)
雨 (Rain), 1985, Showa period (1926–1989)
Saitō Kiyoshi (1907–1997)
Gate Horyūji, Nara, 1970, Showa period (1926–1989)
Munakata Shikō (1903–1975); Ekuransha
Munakata Shikō (1903–1975); Ekuransha

Events

March 7, 2008
Talk
Gallery 318