Time/Frame

Exhibition

Exhibition Overview

Image not available
Time/Frame
Spencer Museum of Art Interns 2007–2008, curator
August 23, 2008–December 14, 2008
North Balcony and South Balcony, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches...

Such timekeeping devices give structure to our lives, and we rely on them to chart the minutes of our days and the moments of our existence. As astronomer and anthropologist Anthony Aveni notes, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time is by no means a recent phenomenon, when one recalls that prehistoric man, by simple observation of the stars, changes in seasons, and conditions of day and night began to come up with early methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present day.

In Fall 2008, the Spencer Museum of Art will consider the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, and across various media, the exhibition Time/Frame considers how time is manifested visually in art and material culture from around the world.

Time/Frame is organized collectively by the 2007-08 Spencer Museum of Art graduate student interns: Robert Fucci, Shuyun Ho, Lauren Kernes, Lara Kuykendall, Ellen Raimond, and Stephanie Teasley.

Exhibition images

Works of art

Mario Martinez; Landfall Press; Jack Lemon; Steve Campbell; Sarah Pavlus; Marion Karl
Jan van de Velde II; Claes Jansz. Visscher the younger
October, 1616
Jan van de Velde II; Claes Jansz. Visscher the younger
November, 1616
Jan van de Velde II; Claes Jansz. Visscher the younger
December, 1616
John Chervinsky
Time Machine, 2005
Matthäus Merian, the elder
Ver (Spring), 1622
unrecorded Australian Aboriginal artist
unrecorded Cheyenne artist
female doll, late 1800s–1916
unrecorded Hopi artist
tableta, late 1800s–2007
unrecorded Maranao artist
prayer rug, late 1800s–1959
unrecorded Bamana artist
chi wara headdress, early-mid 1900s
unrecorded Kanaka Maoli (Hawaiian) artist
kukui nut lei (necklace), late 1800s–1980
unrecorded Kanaka Maoli (Hawaiian) artist
kukui nut lei (necklace), late 1800s–1980
Toyohara Chikanobu
ichigatsu (The First Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
nigatsu (The Second Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
sangatsu (The Third Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
shigatsu (The Fourth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
gogatsu (The Fifth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
shichigatsu (The Seventh Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
hachigatsu (The Eighth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
kugatsu (The Ninth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
jūgatsu (The Tenth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
jūichigatsu (The Eleventh Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
jūnigatsu (The Twelfth Month), 1890, Meiji period (1868–1912)
Toyohara Chikanobu
rokugatsu (The Sixth Month), 1890, Meiji period (1868–1912)
Zhang Zhanhu
Transporting Grains Amid Snowy Mountains, circa 1830–1890, Qing dynasty (1644–1911)
William Tyler
water clock, 1694
T. G. Kleininger
Kanō Isen'in
Water with Floating Cherry Petals, late 1700s–early 1800s, Edo period (1600–1868)
Kanō Isen'in
Clouds with falling snow, late 1700s–early 1800s, Edo period (1600–1868)
Kanō Isen'in
Mid-autumn moon, late 1700s–early 1800s, Edo period (1600–1868)
Israhel van Meckenem the younger; Master of the Housebook
The Lovers, late 1400s
Marcantonio Raimondi; Raphael
Father Time, late 1400s–early 1500s
John Willenbecher
Larry Schwarm
Matsumura Goshun
The Red Cliff, late 1700s–early 1800s, Edo period (1600–1868)
Larry Schwarm
New Orleans, 1977
Elliott Erwitt
Henry Wessel
untitled, 1977
Duane Michals
Pat Steir; Crown Point Press
Sebald Beham
Jim Goldberg
untitled, 1984
Dr. Harold Eugene Edgerton; Gus Kayafas
Andy Warhol
untitled, 1987
Margo Kren
Kenji Nakahashi
Two Eggs, 1984
John Collier
Wang Xuehao
Robert E. Ault
Timescape, circa 1980s
Barbara Hawkins
Pink Carnation, date unknown
Watanabe Gentai
武陵桃源 Buryô tôgen (Wuling’s Peach Blossom Spring), late 1700s–early 1800s, Edo period (1600–1868)
Preston Singletary
Eagle Hat, 2003
Alan Brummell
tripod vessel, early 700s, Tang dynasty (618 CE–907 CE)
Petah Coyne
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
April, 1616
Jan van de Velde II; Claes Jansz. Visscher the younger
Mayus (May), 1616
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
Jan van de Velde II; Claes Jansz. Visscher the younger
September, 1616
unrecorded Hopi artist
koshari (Hano clown katsina), late 1800s–1999
Matthäus Merian, the elder
Matthäus Merian, the elder
Matthäus Merian, the elder

Events

August 21, 2008
Screening
7:00–9:00PM
309 Auditorium
September 13, 2008
Workshop
10:30AM–12:30PM
Gallery 317 Central Court
September 13, 2008
Workshop
1:30–3:30PM
Gallery 317 Central Court
September 18–September 8, 2008
Screening
5:30–7:30PM
309 Auditorium
October 10, 2008
Talk
10:00–11:30AM
Gallery 317 Central Court
October 30, 2008
Social
6:00–8:00PM
Gallery 317 Central Court
December 1, 2008
Talk
2:00–3:30PM
Spencer Museum of Art, Sam and Connie Perkins Central Court, 317

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 156 Jul-2008 I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches... Such timekeeping devices give structure to our lives, and we rely on them to chart our days and even our existence. In the words of astronomer and anthropologist Anthony Aveni, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time has a long history. Prehistoric humans, by simple observation of the stars, changes in seasons, and conditions of day and night began to devise methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present. The new Spencer exhibition, Time/Frame, explores some of the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, in various media, the exhibition considers how time is manifested visually in art and material culture from around the world. From the Spencer Museum of Art, I’m David Cateforis.
Didactic – Art Minute
Didactic – Art Minute
Episode 156 Jul-2008 I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches... Such timekeeping devices give structure to our lives, and we rely on them to chart our days and even our existence. In the words of astronomer and anthropologist Anthony Aveni, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time has a long history. Prehistoric humans, by simple observation of the stars, changes in seasons, and conditions of day and night began to devise methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present. The new Spencer exhibition, Time/Frame, explores some of the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, in various media, the exhibition considers how time is manifested visually in art and material culture from around the world. From the Spencer Museum of Art, I’m David Cateforis.

Documents