Time/Frame

Exhibition

Exhibition Overview

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Time/Frame
Spencer Museum of Art Interns 2007–2008, curator
North Balcony and South Balcony, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches...

Such timekeeping devices give structure to our lives, and we rely on them to chart the minutes of our days and the moments of our existence. As astronomer and anthropologist Anthony Aveni notes, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time is by no means a recent phenomenon, when one recalls that prehistoric man, by simple observation of the stars, changes in seasons, and conditions of day and night began to come up with early methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present day.

In Fall 2008, the Spencer Museum of Art will consider the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, and across various media, the exhibition Time/Frame considers how time is manifested visually in art and material culture from around the world.

Time/Frame is organized collectively by the 2007-08 Spencer Museum of Art graduate student interns: Robert Fucci, Shuyun Ho, Lauren Kernes, Lara Kuykendall, Ellen Raimond, and Stephanie Teasley.

Exhibition images

Works of art

John Chervinsky (born 1961), Time Machine
John Chervinsky (born 1961)
2005
unrecorded Australian Aboriginal artist, bark painting depicting a hunting party
unrecorded Australian Aboriginal artist
late 1800s–1968
unrecorded Cheyenne artist, female doll
unrecorded Cheyenne artist
late 1800s–1916
unrecorded Hopi artist, tableta
unrecorded Hopi artist
late 1800s–2007
unrecorded Maranao artist, prayer rug
unrecorded Maranao artist
late 1800s–1959
unrecorded Bamana artist, chi wara headdress
unrecorded Bamana artist
early-mid 1900s
unrecorded Kanaka Maoli (Hawaiian) artist, kukui nut lei (necklace)
unrecorded Kanaka Maoli (Hawaiian) artist
late 1800s–1980
unrecorded Kanaka Maoli (Hawaiian) artist, kukui nut lei (necklace)
unrecorded Kanaka Maoli (Hawaiian) artist
late 1800s–1980
Toyohara Chikanobu (1838–1912), ichigatsu (The First Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), nigatsu (The Second Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), sangatsu (The Third Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), shigatsu (The Fourth Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), gogatsu (The Fifth Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), kugatsu (The Ninth Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), jūgatsu (The Tenth  Month)
1890, Meiji period (1868–1912)
Toyohara Chikanobu (1838–1912), rokugatsu (The Sixth Month)
1890, Meiji period (1868–1912)
Zhang Zhanhu (active late 1800s–early 1900s), Transporting Grains Amid Snowy Mountains
Zhang Zhanhu (active late 1800s–early 1900s)
circa 1830–1890, Qing dynasty (1644–1911)
William Tyler (active late 1600s), water clock
William Tyler (active late 1600s)
1694
T. G. Kleininger, pocket sundial
T. G. Kleininger
1700s
Marcantonio Raimondi (circa 1470 or 1482–1534); Raphael (1483–1520), Father Time
late 1400s–early 1500s
Matsumura Goshun (1752–1811), The Red Cliff
late 1700s–early 1800s, Edo period (1600–1868)
Henry Wessel (born 1942), untitled
Henry Wessel (born 1942)
1977
John Collier (1913–1992), Seed Catalogs
John Collier (1913–1992)
1942
Wang Xuehao (1754–1823), Whiling Away the Summer Heat
Wang Xuehao (1754–1823)
date unknown
Robert E. Ault (1936–2008), Timescape
Robert E. Ault (1936–2008)
circa 1980s
Watanabe Gentai (1749–1822), 武陵桃源 Buryô tôgen (Wuling’s Peach Blossom Spring)
late 1700s–early 1800s, Edo period (1600–1868)
Preston Singletary (born 1963), Eagle Hat
Preston Singletary (born 1963)
2003
Alan Brummell (born 1948), Grandfather Clock
Alan Brummell (born 1948)
1987
tripod vessel
early 700s, Tang dynasty (618 CE–907 CE)
unrecorded Hopi artist, koshari (Hano clown katsina)
unrecorded Hopi artist
late 1800s–1999

Events

August 21, 2008
Screening
7:00–9:00PM
309 Auditorium
September 13, 2008
Workshop
10:30AM–12:30PM
Gallery 317 Central Court
September 13, 2008
Workshop
1:30–3:30PM
Gallery 317 Central Court
September 18–September 8, 2008
Screening
5:30–7:30PM
309 Auditorium
October 10, 2008
Talk
10:00–11:30AM
Gallery 317 Central Court
October 30, 2008
Social
6:00–8:00PM
Gallery 317 Central Court
December 1, 2008
Talk
2:00–3:30PM
Spencer Museum of Art, Sam and Connie Perkins Central Court, 317

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 156 Jul-2008 I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches... Such timekeeping devices give structure to our lives, and we rely on them to chart our days and even our existence. In the words of astronomer and anthropologist Anthony Aveni, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time has a long history. Prehistoric humans, by simple observation of the stars, changes in seasons, and conditions of day and night began to devise methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present. The new Spencer exhibition, Time/Frame, explores some of the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, in various media, the exhibition considers how time is manifested visually in art and material culture from around the world. From the Spencer Museum of Art, I’m David Cateforis.
Didactic – Art Minute
Didactic – Art Minute
Episode 156 Jul-2008 I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Schedules, appointments, deadlines, PDAs, day planners, calendars, wristwatches... Such timekeeping devices give structure to our lives, and we rely on them to chart our days and even our existence. In the words of astronomer and anthropologist Anthony Aveni, “Time gets spent, wasted, killed, kept, and lost. We have leisure time, quality time, good times, bad times, hard times, and even hot times.” Our interest in keeping time has a long history. Prehistoric humans, by simple observation of the stars, changes in seasons, and conditions of day and night began to devise methods of measuring time to pursue such activities as farming, hunting, and the celebration of sacred feasts. Our concern with time has continued unabated to the present. The new Spencer exhibition, Time/Frame, explores some of the ways in which artists have pondered and pictured time. Assembling works from North and South America, Africa, Europe, Asia, and Australia, in various media, the exhibition considers how time is manifested visually in art and material culture from around the world. From the Spencer Museum of Art, I’m David Cateforis.

Documents