St. Francis of Adelaide, Kehinde Wiley; Cerealart Projects LLC

Artwork Overview

born 1977
St. Francis of Adelaide, 2006
Where object was made: United States
Material/technique: resin; marble dust; casting
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 30.5 x 25.4 x 14 cm
Object Height/Width/Depth (Height x Width x Depth): 12 x 10 x 5 1/2 in
Weight (Weight): 5 lbs
Credit line: Museum purchase: R. Charles and Mary Margaret Clevenger Art Acquisition Fund
Accession number: 2010.0192
On display: Michaelis Gallery

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Images

Label texts

Exhibition Label:
"Corpus," Apr-2012, Kris Ercums
Kehinde Wiley’s iconoclastic juxtapositions create “a crisis of categories,” challenging historical and contemporary paradigms of class, race, power, and identity. His anonymous, urban portrait subjects are swathed in the accoutrements of nobility and privilege, while their outsized jerseys pronounce the ascendency of Hip Hop culture. This work is based on Jean-Auguste-Dominique Ingres’s stained glass window, St. Francis of Adelaide, in Paris at The Chapel of Saint Ferdinand.

Exhibitions

Spencer Museum of Art Interns 2010–2011, curator
2011
Kris Ercums, curator
2012–2015
Kristan Hanson, curator
Najmeh Moradiyan-Rizi, curator
2019
Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027
Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027

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