Signal Flag Poems, The Letter Edged in Black Press, Inc.; Hannah Weiner

Artwork Overview

Image not available
1928–1997
Signal Flag Poems, 1968
Portfolio/Series title: S.M.S. No. 3
Where object was made: United States
Material/technique: wove paper; offset lithograph
Dimensions:
Object Height/Width (Height x Width): 197 x 171 mm
Object Height/Width (Height x Width): 7 3/4 x 6 3/4 in
Credit line: Museum purchase: Letha Churchill Walker Memorial Art Fund and Gift of Mr. and Mrs. William Shearburn
Accession number: 1994.0126.05.a-f
Not on display

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Label texts

Cryptograph: An Exhibition for Alan Turing," Mar-2012, Stephen Goddard As the artist states in her concise introduction, these poems are both drawn from and transformed into the signals set forth in The International Code of Signals for the Use of All Nations. Conceived in 1855, this code facilitated communication between ships at sea. These three-letter alphabetic ciphers could be created visually by flags and later combinations of lights, or sonically by Morse code. This system not only allowed sailors to communicate across wide swathes of ocean, but also functioned as a kind of common language that could be understood regardless of linguistic or national affiliation. Therefore, like mathematics and art, this code transcends verbal barriers. Furthermore, Weiner’s use of The International Code of Signals allowed the poet/artist to navigate fluidly between the visual, written, and spoken expression.