Woodcut: A Technical Appreciation
Exhibition
Exhibition Overview
Woodcut: A Technical Appreciation
Stephen Goddard, curator
February 17, 1991–May 19, 1991
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas
Prints from the Spencer collection are featured in this exhibition, which includes a precious metalcut page from a book printed around 1500, Renaissance and Baroque masterworks, delicate nineteenth-century wood engravings, and commanding expressionist prints from the early twentieth century and the 1980s. Organized by the Spencer Museum.
Works of art
Iohannes Bämler (active circa 1450–1475); Artist Unknown
Parmigianino (1503–1540)
Circe and the Companions of Ulysses,
circa 1527–1530
Josef Albers (1888–1976)
Above the Water,
1944
Max Beckmann (1884–1950)
Self-portrait,
1922
Emile Bernard (1868–1941)
La Lessive (The Laundry),
1889
Thomas Bewick (1753–1828)
The Yellow Macauco; The Ring-Tailed Macauco,
late 1700s–early 1800s
Nicoló Boldrini (active 1530–1570); Titian (1485 or 1490–1576)
Richard Bosman (born 1944)
Mutiny,
1980–1981
Roger Brown (1941–1997)
John E. Buck (born 1946); Landfall Press (active 1970–2004)
Les Grandes Eclipse,
1982
Asa Cheffetz (1896–1965)
Chuck Close (1940–2021); Crown Point Press; Tadashi Toda (1936–2000); Shunza Matsuda
Leslie,
1986
Timothy Cole (1852–1931)
Landscape with Windmill,
1920
Bartolomeo Coriolano (circa 1599–circa 1676); Guido Reni (1575–1642)
Sibyl,
1600s
Robert Cumming (1943–2021); Vinalhaven Press (active 1985–1999)
Odessa,
1988
Ernest Hubert Deines (1894–1967)
Jim Dine (born 1935)
Bathrobe,
1975
Albrecht Dürer (1471–1528)
Albrecht Dürer (1471–1528)
The Apocalyptic Woman,
1498
Lyonel Feininger (1871–1956)
Hafen (Port),
1899
Erich Heckel (1883–1970)
Winslow Homer (1836–1910)
Helen Hyde (1868–1919)
New Year's Day, Tokyo,
1914
John Baptist Jackson (circa 1701–circa 1780); Paolo Veronese (1528–1588)
Vassily Kandinsky (1866–1944)
Clare Leighton (1898 or 1899–1989)
Breaking Camp,
1931
Auguste Louis Lepère (1849–1918)
Franz Marc (1880–1916)
Emil Nolde (1867–1956)
Familie,
1917
Henri Rivière (1864–1951)
Susan Rothenberg (1945–2020)
Doubles,
1980
David Salle (born 1952); Crown Point Press; Tadashi Toda (1936–2000); Shunza Matsuda
Birger Sandzén (1871–1954)
Sentinel Pines,
1919
Jeanette Pasin Sloan (born 1946); Landfall Press (active 1970–2004)
Boston Red,
1986
Carol Summers (1925–2016)
Athos,
1982
Félix Edouard Vallotton (1865–1925)
Max Weber (1881–1961)
Standing Figure,
circa 1919–1920
H. C. Westermann (1922–1981)
Airplane and Building,
1962
H. C. Westermann (1922–1981)
envelope,
1975
Anton Maria Zanetti (1680–1757); Parmigianino (1503–1540)
Young man standing,
date unknown
Utagawa Kunisada (1786–1864)
Portrait of the actor Bando Hikosaburō V as Iwasuji,
1862, Edo period (1600–1868)
Inbutsu (stamp print) of Fudō Myōō,
1200s–1300s, Kamakura period (1185–1333) or Muromachi period (1336–1573)
Hagiwara Hideo (1913–2007)
Memories of the East,
1983, Showa period (1926–1989)
Hashiguchi Goyō (1880–1921)
Woman kneeling before mirror,
1920, Taisho period (1912–1926)
Utagawa Hiroshige (1797–1858)
#53 Kusatsu kara Yabase wa michi no yumi to tsuru (Sailing from Kusatsu to Yabase),
1855–1857, Edo period (1600–1868)
Kawachi Seikō (born 1948)
Katsura X,
1984, Showa period (1926–1989)
Utagawa Kunisada (1786–1864)
four actors from the play, "The 4 Modern Guardians Kings Return from Mt.Oyama",
1858, Edo period (1600–1868)
Takahashi Rikio (1917–1999)
The Letter (From Kyoto),
1984, Showa period (1926–1989)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Fuwa Bansaku and the Monster,
1865, 8th month, Edo period (1600–1868)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Fuwa Bansaku and the Monster,
after 1865, Edo period (1600–1868)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Priest Raigō of Mii Temple Transformed into a Rat,
1891, Meiji period (1868–1912)
Utagawa Hiroshige (1797–1858)
#14 Hara, Kambara, Yoshiwara, Yui, Okitsu,
circa 1852, Edo period (1600–1868)