Woodcut: A Technical Appreciation

Exhibition

Exhibition Overview

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Woodcut: A Technical Appreciation
Stephen Goddard, curator
February 17, 1991–May 19, 1991
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Prints from the Spencer collection are featured in this exhibition, which includes a precious metalcut page from a book printed around 1500, Renaissance and Baroque masterworks, delicate nineteenth-century wood engravings, and commanding expressionist prints from the early twentieth century and the 1980s. Organized by the Spencer Museum.

Works of art

Parmigianino (1503–1540)
Josef Albers (1888–1976)
Max Beckmann (1884–1950)
Emile Bernard (1868–1941)
Thomas Bewick (1753–1828)
Nicoló Boldrini (active 1530–1570); Titian (1485 or 1490–1576)
Richard Bosman (born 1944)
Mutiny, 1980–1981
Roger Brown (1941–1997)
John E. Buck (born 1946); Landfall Press (active 1970–2004)
Asa Cheffetz (1896–1965)
Chuck Close (1940–2021); Crown Point Press; Tadashi Toda (1936–2000); Shunza Matsuda
Leslie, 1986
Timothy Cole (1852–1931)
Bartolomeo Coriolano (circa 1599–circa 1676); Guido Reni (1575–1642)
Sibyl, 1600s
Robert Cumming (1943–2021); Vinalhaven Press (active 1985–1999)
Odessa, 1988
Ernest Hubert Deines (1894–1967)
Jim Dine (born 1935)
Bathrobe, 1975
Albrecht Dürer (1471–1528)
Albrecht Dürer (1471–1528)
Lyonel Feininger (1871–1956)
Hafen (Port), 1899
Erich Heckel (1883–1970)
Winslow Homer (1836–1910)
Helen Hyde (1868–1919)
John Baptist Jackson (circa 1701–circa 1780); Paolo Veronese (1528–1588)
Vassily Kandinsky (1866–1944)
Clare Leighton (1898 or 1899–1989)
Auguste Louis Lepère (1849–1918)
Franz Marc (1880–1916)
Emil Nolde (1867–1956)
Familie, 1917
Susan Rothenberg (1945–2020)
Doubles, 1980
David Salle (born 1952); Crown Point Press; Tadashi Toda (1936–2000); Shunza Matsuda
Birger Sandzén (1871–1954)
Jeanette Pasin Sloan (born 1946); Landfall Press (active 1970–2004)
Boston Red, 1986
Carol Summers (1925–2016)
Athos, 1982
Félix Edouard Vallotton (1865–1925)
Max Weber (1881–1961)
Standing Figure, circa 1919–1920
H. C. Westermann (1922–1981)
H. C. Westermann (1922–1981)
envelope, 1975
Anton Maria Zanetti (1680–1757); Parmigianino (1503–1540)
Young man standing, date unknown
Utagawa Kunisada (1786–1864)
Inbutsu (stamp print) of Fudō Myōō, 1200s–1300s, Kamakura period (1185–1333) or Muromachi period (1336–1573)
Hagiwara Hideo (1913–2007)
Memories of the East, 1983, Showa period (1926–1989)
Hashiguchi Goyō (1880–1921)
Woman kneeling before mirror, 1920, Taisho period (1912–1926)
Utagawa Hiroshige (1797–1858)
Kawachi Seikō (born 1948)
Katsura X, 1984, Showa period (1926–1989)
Utagawa Kunisada (1786–1864)
Takahashi Rikio (1917–1999)
The Letter (From Kyoto), 1984, Showa period (1926–1989)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Fuwa Bansaku and the Monster, 1865, 8th month, Edo period (1600–1868)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Fuwa Bansaku and the Monster, after 1865, Edo period (1600–1868)
月岡芳年 Tsukioka Yoshitoshi (1839–1892)
Priest Raigō of Mii Temple Transformed into a Rat, 1891, Meiji period (1868–1912)
Utagawa Hiroshige (1797–1858)
#14 Hara, Kambara, Yoshiwara, Yui, Okitsu, circa 1852, Edo period (1600–1868)