Keisai Eisen,
Artist Overview
Artist name:Keisai Eisen
Works of Art: 44
geisha and courtesans, 1820s, Edo period (1600–1868)

Yūkasumi Asamagadake: Itchūbushi no hogo moyō (Mt. Asama in Evening Mists), circa late 1830s, Edo period (1600–1868)

Keisei Otowa no Taki (The Prostitute Otowa Waterfall), circa late 1830s, Edo period (1600–1868)

fan paintings and camellias, circa early 1820s, Edo period (1600–1868)

Kōsagi and a courtier at Yōrō Waterfall, mid 1820s, Edo period (1600–1868)

Benkei and Shizuka, 1829, Edo period (1600–1868)

boys chasing a woman with sticks, 1823, Edo period (1600–1868)

Ushiwaka and Sōjōbō, 1829, Edo period (1600–1868)

Ushiwaka and Sōjōbō, 1829, Edo period (1600–1868)

girl and boy with printed game board and Pekinese dog, 1826, Edo period (1600–1868)

two geisha pausing on a journey, circa early 1830s, Edo period (1600–1868)

painted screen and New Year's offerings, mid 1820s, Edo period (1600–1868)

The Four Sleepers, 1830, Edo period (1600–1868)

two women of Ōhara carrying bundles of twigs, circa early 1820s, Edo period (1600–1868)

tea wisk, tea scoop, and miniature plum tree, circa early 1820s, Edo period (1600–1868)

monkey and crab, 1824, Edo period (1600–1868)

two young women writing first calligraphy of New Year, mid 1820s, Edo period (1600–1868)

child leading a woman on an ox, 1829, Edo period (1600–1868)

girl with book cart and woman with pet monkey, 1824, Edo period (1600–1868)

geisha and courtesans, 1820s, Edo period (1600–1868)

Susanoo no mikoto preparing to slay an eight-headed dragon, 1832, Edo period (1600–1868)

Shibaura no kihan (Returning Sails at Shiba Bay), mid 1840s, Edo period (1600–1868)

geisha and courtesans, 1820s, Edo period (1600–1868)

women sewing and ironing, circa late 1820s, Edo period (1600–1868)

women preparing ornaments for New Year, mid 1820s, Edo period (1600–1868)

Shinobugaoka no bosetsu (Evening snowfall at Shinobugaoka), 1843–1847, Edo period (1600–1868)

Nihombashi yuki no akebono (#1 Snowy Dawn at Nihon Bridge), circa 1835, Edo period (1600–1868)

Shiojiri tōga suwa no kosui chōbō (#31 View of Lake Suwa from Shiojiri Pass), circa 1835, Edo period (1600–1868)

Sakamoto (#18 Sakamoto), mid 1830s, Edo period (1600–1868)

#23 Blind men fighting at Iwamurata, circa 1835, Edo period (1600–1868)

Okegawa shuku kōgen no kei (#7 View of the Open Fields at Okegawa Station), circa 1835, Edo period (1600–1868)

Kumagaya shuku hatcho tsutsumi no kei (#9 Kumagaya View of Hatchō Embankment), mid 1830s, Edo period (1600–1868)

Urawa shuku Asama yama embō (#4 Distant View of Mt. Asama from Urawa Station), circa 1835, Edo period (1600–1868)

(Yosooi of the Matsubaya), circa 1830s, Edo period (1600–1868)

Miyako no Fuji Maruebiya nai Otaka (Mt.Fuji in Kyōto: The Courtesan Otaka), 1830s, Edo period (1600–1868)

Kiba no kakitsubata (Irises at Kiba), 1830s, Edo period (1600–1868)

Edochō itchō-me Tamaya Yamasaburō Kasugano (The Courtesan Kasugano of Tamaya at Edo-chō Itchō-me), 1830s, Edo period (1600–1868)

Numazu Ōsaka nai Senjū (The Courtesan Senju of Ōsakaya matched with Numazu, a station on the Tokaido), 1830s, Edo period (1600–1868)

Musumegyōretsu tōto Ryōgokubashi no zu (Procession of Young Women on the Ryōgoku Bridge in the Eastern Capital), circa 1820s, Edo period (1600–1868)

Shirasuka (Shirasuka Station), circa 1843–1847, Edo period (1600–1868)

an ōtsu painting of a rat, 1828, Edo period (1600–1868)

Tōkaidō Dice Game, circa late 1830s, Edo period (1600–1868)


Passionate Finger Puppets, circa 1830s, Edo period (1600–1868)
geisha and courtesans, 1820s, Edo period (1600–1868)

Exhibitions: 23
CuratedByVoc, curator
CuratedByVoc, curator
Kate Meyer, curator
Susan Earle, curator
Stephen Goddard, curator
John Pultz, curator